Tuesday, 15 December 2015
Paint used as glue
Within my dissertation I discuss three ways in which play exists within art; namely, the form of the artwork; the process of making the artwork, and the way in which the audience experience the artwork. Chapter 1 seeks to examine how Phyllida Barlow (1944-) makes work in a playful manner. Within this, I explore the notion of intuition and spontaneity; how she deals with scale; her use and application of colour, and her choice of, and engagement with, materials.
Action is implicit in Barlow’s sculptures. The manner in which she applies paint to a surface is intuitive and physical. Paint is smeared onto a surface in an uncontrolled fashion, covering part of the structure unevenly, and leaving other areas exposed. Tidily and seamlessly are two words not associated with how Barlow works. Paint is used not just for its colour, but for its structural function as a means of sticking things together.
This prompted me to use paint as a form of glue, attaching individual Cheerios to one another. The size of the Cheerios limits the extent to which I can apply the paint in a gestural manner, but the paint has been able to stick the hoops together.