Recent drawing - Alphabet series - L

Yorkshire Sculpture International at Leeds City Art Gallery

2019 saw the launch of Yorkshire Sculpture International, a festival of sculpture taking place across Leeds and Wakefield from June to September. 



In addition to the exhibitions at the four main galleries; Yorkshire Sculpture Park, Leeds Art Gallery, The Henry Moore Institute and The Hepworth, there programme also includes a number of outdoor sculptures and new commissions.



Rachel Harrison draws upon a wide range of influences, fusing art historical references with references from pop culture. Her choice of materials is similarly eclectic, with nods to art history and contemporary society.



Joanna Piotrowska selected a number of artworks from the Leeds collection and displayed these alongside her series of black and white photographs investigating social structures. Piotrowska asked local people in Lisbon, Rio de Janeiro, Warsaw and London to create makeshift structures in their homes. 





Although it is not part of Yorkshire Sculpture International, my visit afforded me the opportunity to reconnect with Lothar Goetz's vibrant wall painting which dominates the main staircase. Goetz is interested in how colour interferes with our perception of space and form. 

Nika Neelova - EVER - The Tetley Gallery, Leeds

EVER was a solo exhibition by the Russian-born artist Nika Neelova at The Tetley Gallery in Leeds. Neelova presented new and existing work that responded to, and was in dialogue with, the building's unique art deco architecture.

'At the centre of the exhibition is a new large-scale sculptural installation in The Tetley's atrium. Connecting with the building's past, it recalls the restoration and transformation of the atrium into a gallery space and incorporates original materials such as parquet floor tiles and oak panelling salvaged from The Tetley building.  Featuring these discarded architectural fragments, the installation creates a transitional space depicting, and derived from, places that once existed. For Neelova, it takes the form of a 'landscape in ruin', presenting different layers of reworked and reimagined architectural, sculptural and geological artefacts.'

 

In the old office spaces that surround the atrium space, Neelova installed a number of existing geological and architectural sculptures. The Lemniscate sculpture series is made from reclaimed wooden bannisters. Neelova has repurposed the bannisters and fitted them together so that they each become a continuous form.







Neelova's architecturally focused work benefits from being displayed in a gallery with its own unique architectural features and likewise the gallery benefits from her work as it naturally emphasises the context in which it is displayed. 







My criticism would be that there is too many repeated versions of the same idea. After seeing a couple of forms made from bannisters, I no longer gain from seeing a different variation of this theme. 

Recent collage - Frieze magazine listings - series 1

Recent drawing - alphabet series - K

Latest progress from marginendeavour

Berwick Film Festival 2019

Berwick Film & Media Arts Festival (BFMAF) is one of the UK’s leading festivals for new cinema and artists’ moving image.

Based in England’s most northerly town, BFMAF is a dynamic forum where fresh artistic voices develop and audiences hungry for complex and challenging art are nurtured.

Increasingly recognised for its innovative programme and critical engagement, BFMAF presents artists’ and filmmakers’ work in the cinema as well as expanded formats of exhibition and performance.

I chose to visit the exhibition programme as opposed to the film programme, but all exhibitions were focussed on artists' moving image.
I found this slightly problematic in the sense that after a number of hours I began to tire of watching moving images and longed for some sculptural or an exhibition of a different nature to change the pace and nature of looking. I wasn't particularly blown away by any of the artworks, but really enjoyed exploring some of Berwick's hidden spaces and have some ideas of artworks that I would like to develop for as site specific works.

The Magazine was one of the spaces that I was most drawn to for its sonic possibilities.

Aura Satz's Preemptive Listening project focused on sonic obedience and disobedience through the trope of the siren. The Fork in the Road comprised trumpet improvisor Mazen Kerbaj's composition of a new siren sound using circular breathing, and actor/activist Khalid Abdalla speaking on the siren as the emblematic sound of resistance, oppression and lost futures during the Arab Spring. Shot on 16mm, the film was literally driven by its soundtrack, as the voice became a beacon, activating emergency rotating lights.

Following the film, a sound installation—featuring Elaine Mitchener (voice), Laurie Spiegel (electronica), Anton Lukoszevieze (cello), Maja Ratkje (voice) and Rhodri Davies (harp)—proposed a speculative re-imagining of emergency signals. Sirens were recomposed through a variety of instruments, infinitely rising tones and more—from loud and defiant to low, mournful or nearly imperceptible. It was this sound installation that was most interesting to me. The video seemed unnecessary and the voiceover acted as a distraction.






Some of the more successful artworks were those that responded to the space in which they were exhibited. 

Bugs and Beasts Before the Law was sited in the Town Hall Old Gaol, and successfully responded to this unique setting.





Bugs and Beasts Before the Law explored the history and legacy of the “animal trials” that took place in medieval Europe, in which animals—and other non-humans, such as insects and inanimate objects—were put on trial for various crimes and offenses, ranging from trespassing and thievery, to assault and murder. This history of colonial law-making forged political and sometimes profane relationships between humans and animals. Bambitchell's essayistic film reimagined common perceptions of legal history and, in doing so, produced a world where past and present, fiction and non-fiction, human and animal fuse. —Bambitchell

Recent drawing - alphabet series - J

To Me, To You - Mick Peter - The BALTIC

"Mick Peter’s playful installations incorporate imagery influenced by illustration and commercial art. To Me, To You draws on archetypes of the artist in a narrative sequence about a sculpture being produced and displayed in a gallery.



Peter references how abstract modern sculpture has sometimes been used to represent the incomprehensibility of art in editorial illustrations in newspapers and magazines. By showing the imagined decisions being taken in a studio Peter wittily undermines the significance and authority of the finished sculpture."



We begin by walking through the gallery office, the administration centre of the gallery and then enter the corridor-like expanse that is split into a number of booths, each a different scenario in the artist's studio tracking the development of activities on the day that the art handlers have come to collect his work.



As the narrative develops, one realises that, as the art handlers struggle to move the sculpture, the artist adapts its shape so as to make it easier to carry.






I appreciate the understated simplicity of the work which complements the cartoon-like style of Peter's monochrome drawings. The humour within the work is coupled with an intelligent understanding of the contemporary art world.

Recent drawing - alphabet series - I

Latest eyesore progress from marginendeavour

Collage cut outs

I spent an afternoon cutting out sections of colour and patterns from magazines, and then enjoyed placing them on top of each other to create interesting compositions. I intend to create some collages from these later this week. Here are a few of my initial experiments.

Latest eyesore progress from marginendeavour

Recent drawing - alphabet series - 'G'

Recent drawing - alphabet series - 'F'

Recent Drawing - alphabet series 'E'