Showing posts with label Mick Peter. Show all posts
Showing posts with label Mick Peter. Show all posts

Thursday, 19 September 2019

To Me, To You - Mick Peter - The BALTIC


"Mick Peter’s playful installations incorporate imagery influenced by illustration and commercial art. To Me, To You draws on archetypes of the artist in a narrative sequence about a sculpture being produced and displayed in a gallery.



Peter references how abstract modern sculpture has sometimes been used to represent the incomprehensibility of art in editorial illustrations in newspapers and magazines. By showing the imagined decisions being taken in a studio Peter wittily undermines the significance and authority of the finished sculpture."



We begin by walking through the gallery office, the administration centre of the gallery and then enter the corridor-like expanse that is split into a number of booths, each a different scenario in the artist's studio tracking the development of activities on the day that the art handlers have come to collect his work.



As the narrative develops, one realises that, as the art handlers struggle to move the sculpture, the artist adapts its shape so as to make it easier to carry.






I appreciate the understated simplicity of the work which complements the cartoon-like style of Peter's monochrome drawings. The humour within the work is coupled with an intelligent understanding of the contemporary art world.


















Monday, 1 June 2015

Mick Peter: Pyramid Selling at Tramway, Glasgow




Pyramid Selling, Mick Peter's current solo exhibition of sculptures at Tramway, Glasgow,   "draws on a number of sources, including those of literature, commercial illustration and graphic design. Mimicking the tropes of ‘witty’ graphic design from the 60’s and 70’s, the exhibition takes a satirical look at the role of the individual against the backdrop of industry and labour (the making of his exhibition at Tramway included)."



The sculptures resemble quick hand drawn sketches that have been transformed into large three-dimensional forms. 



Peter sets a scene, rather like a theatrical stage or retail space. In one part of the gallery, the human sized characters are working towards the exhibition, moving around pieces that form a pyramid structure. Meanwhile, a man, who appears to be a boss, monitors their performance, tracking their sales charts.


On the other side of the gallery, a number of large-scale zips pose on the completed pyramid.



Peter's installation commands the incredibly challenging gallery of Tramway 2, a space that has been, and continues to be many things, from a tram shed, to a museum of transport, and for this exhibition, a kind of theatre / retail space.

http://www.tramway.org/events/Pages/Pyramid-Selling.aspx
http://www.mickpeter.com