Rachel Clewlow at Platform A

The current exhibition, My Paths Are My Ideas of Imagination at Platform A is by one of the associate artists, Rachel Clewlow.



It consists of a number of beautifully executed paintings and drawings relating to walks made by Clewlow. Employing tactics used by cartologists, she transforms raw data gathered from her experiences and transforms this into colourful charts, maps and patterns that are in themselves a new form of landscape.



"Through painting and printmaking Rachael Clewlow has created a visual language that reflects an obsessive attention to detail and a desire to map out her own experiences of the world. In an ongoing series of diaries begun in 2003, she creates rigorous and detailed recordings of her every day movements. Planned abstract journeys taken to explore selected cities and regions sit alongside the mundane routes she takes from A to B. This record becomes a highly personal form of trace and a rich source of data from which Clewlow begins to construct paintings and prints. Drawing from elements of the language of infographics and of cartography, these works also demonstrate an obsession with colour and the formal concerns of abstract painting.



Over the past 18 months she has created a large body of new work for her first solo exhibition. A series of paintings presented in groups, focus on a set of pre-defined walks around Newcastle, London and Rochdale. Each walk represents a performative journey made to explore place through the demands of the related paintings. In the case of this group of works, it is the scale and proportion of the paintings, themselves derived from OS maps, which influences the nature and duration of the walks. Clewlow is bound to 'complete' the walks, a slave to her own rules, composing with her feet and discovering chance like paths through this quasi-intuitive process.



A group of walks in London saw her attempt to find routes across the city created by the 13 protected vistas of St Paul's Cathedral and other monuments. In Protected Views, 69.78 Miles Walked, London (2017), architectural planning restrictions provide Clewlow with a hidden visual structure, which she seeks to make real through the process of walking the streets it traverses below. As with each group of works, a 'Map' and several 'Keys' are the manifestation of this performed experience, charting these new routes as images whilst also speaking of an unknowable, sublime landscape.

Longitudinal Geometry, 129.53 Miles Walked, Newcastle (2016) charts seven days walking north to south across an OS sheet map. By playfully and absurdly sticking as closely as possible to lines of longitude, she invites us to consider the nature of theoretical systems of measure and mapping. The meandering lines of circles in her own map chart the physical meeting of our real world roads, routes and rivers with the cold authority of the OS National Grid. Realised in complementary colours, these delicate forms dance across the surface of one painting, each one a waypoint, a moment of lived experience and a data point in a grander scheme.



Her most recently completed group of four paintings explores the industrial heritage of the area around Rochdale. Man Made Waterways, 91.9 Miles Walked, Rochdale (2017) saw her crossing the Pennine Hills over five days to join a large group of reservoirs, canals and waterways. Here, Clewlow is interested in establishing a new route that honours these critical historic monuments at the heart of the regions growth. For the first time in these works, Clewlow introduces a system of symbols and forms that organises every moment, thing and place she records into her own taxonomy. These paintings offer a visual codification of Clewlow's exterior and interior observations during the process of 'collecting' these unassuming local landmarks. Together with her other recent work, these works provide us with a new way of imagining the ordinary and overlooked as parts in a rich constellation of interconnected moments – new landscapes of colour, form and imagination."

Nick Kennedy



For me, it is the hand-drawn and human elements that elevate the work from being a translation of information into another realm. Clewlow's work gives me great pleasure and the more time I spend with it, the more I am drawn into the detail and notice new things. The process behind the work adds weight to what simply are stunningly beautiful creations.

The exhibition runs until 5th October

http://www.platformagallery.net/shows/my-paths-are-my-ideas-of-imagination/

Harold Fisk's 'Ancient Courses Mississippi River Meander Belt' maps

"Ancient Courses Mississippi River Meander Belt is a map created by cartographer and geologist Harold Fisk for the U.S. Army Corps of Engineers. Each plate shows a different portion of the Mississippi river and its various courses through time between Cape Girardeau, MO and Donaldsonville, LA—some of these channels date back thousands of years.

The maps were part of his report Geological Investigation of the Alluvial Valley of the Lower Mississippi River completed in 1944. The study was made to learn about the formation of the valley over time, and about the major factors that dictate its flow and flooding in the modern era. The data was collected by creating approximately 16,000 borings so that layers of soil and deposits of sediment from the river's prior courses deep underground could be analyzed.

Fisk drew more than geographic data—he also found the river’s heart in this jumble of loops and purls. The river finds its personality reflected in this explosive, autumn-colored palette, its constantly churning rhythm shaping the soil, digging out a constantly changing place so distinctively its own. From prehistory to the 20th century, these maps are made for the ages."

http://20x200.com/products/plate-22-sheet-6-ancient-courses-mississippi-river-meander-belt