Great news for Great & Tiny War

Huge congratulations to the wunderful team behind Great and Tiny War, the proud owners and well deserved recipients of Best Event Tyneside Award. I'm so pleased and honoured to have been part of it.

Was great to catch up with some of the team earlier in the week.

Happy memories and project reflections with the Great and Tiny War team

Spent a wonderful afternoon with the Great and Tiny War team reflecting on our experience hosting Bobby Baker's Great and Tiny War. Was lovely to share memories and talk about what is next for this unique group of individuals who worked so well together.

Shame not to have some crucial members of the team with us, but was a treat to catch up briefly with Bobby as she prepares for her Madrid exhibition which opens in February. The work looks really exciting.

The crumbling of the breast plate

As part of Great and Tiny War, Bobby Baker worked with a variety of women attending local women's groups. She ran a number of bread sculpture workshops in which the women were asked to make their own armoury; items that they would use to protect them, to show their strength or to provide them with comfort. During these workshops Bobby showed them some of her own bread sculptures that she made for previous performances. These included a breast plate and some antlers for protection. These items have been displayed in the kitchen at 133 Sidney Grove for visitors to Great and Tiny War to look at and wear. 

A couple of weeks ago, when I was in the kitchen hosting a group of guests, I was startled by a sudden thud. The bread breast plate had fallen off the cupboard door where it was hanging, and as it hit the floor, had broken in half. The effect of this was significant and was gradually revealed over the final two weeks of the exhibition. Not only was the bread plate the dough the bound the various different elements of the exhibition together, it was the shield that protected the exhibition and guarded against bad fortune. 

The crumbling of the breast plate signified the fragility of many of the elements within the exhibition. It was ironic that this happened in the final stages of the exhibition - in the period of time that the exhibition had been extended. It was as if certain elements had reached the end of their natural life. Technical issues became more commonplace, visitors (and hosts) encountered more problems getting to the exhibition on time due to the unreliability of public transport, and biscuit supplies dwindled (although this was quickly remedied!).

They say all good things must come to an end, and maybe the crumbling of the breast plate is evidence of the truth within this expression.

Bobby Baker on what it takes to make an exhibition accessible

Great & Tiny War is the most ambitious show I’ve ever made. Or maybe I’ve said that before?!

How to Live where I launched my own Therapy Empire at Barbican Theatre in 2004 was really massive. When I had the idea of 2,000 ‘pea patients’ dancing the Mexican wave as a finale, accompanied by a choir and full on light show, I hadn’t quite thought through how much work (and money) and pure skill by the production team it would take to pull off. But we did. Which I suppose encourages you to be optimistic you can do it again with the next big plan…

Great & Tiny War takes a whole house and transforms it into a complex art installation where people come in groups of 4 and go on an audio guided tour from room to room with a host. It opened on 9 September and has proved to be so popular that we are keeping it open 3 weeks longer than planned until 28 November.

The team

The most important part of any show, and why it succeeds or not, is the people in the team and their assorted talents and skills. The Great & Tiny team are exceptional – mainly due to Ilana Mitchell and the amazing Wunderbar team. Their strap line is “extraordinary projects conceived by artists and made by audiences.”

Wunderbar has a long track record of creating great art in unusual places, and we share a passion and belief in doing what we can to reach people where they are, and to make the art as easy as possible for everyone to see.

It takes a lot of technical skill to achieve this so having a good team is vital.

I’ve worked with Steve Wald, technical director, and Miranda Melville, production designer, for many years – their skill and experience is the reason the dancing peas worked so wonderfully for How To Live. Each of the 5 rooms in Great & Tiny poses complex design and technical challenges.

Wunderbar recruited talented local artists and technicians to help install the show and host the tours. Lots of them have been drawn to the project because of what it’s about – transgenerational trauma, feminism and the politics of domestic labour and health care. Many of us have experienced hard times and felt excluded. So it’s been great working together and really fun too. And it’s definitely meant everyone shares a focus on the ethos of fairer access.

Inclusion and equality consultant Sarah Pickthall has been part of the team from the start – helping plan and budget the work needed and oversee the brief. And for the first time we used the opportunity now provided by Arts Council Grants for Arts to receive extra funding for extra support for me.

Great & Tiny War access resources

Here’s a list of what we’ve done to try and make the show accessible to all:

• A downloadable easy read visual guide explaining clearly what to expect in advance

https://wunderbar.org.uk/wp-content/uploads/GTW-EasyRead-full-res.pdf

• A captioned film showing what’s upstairs. The house is on two floors so some people, including older people, can’t see the whole show without some sort of digital package. The film we’ve produced is shown on a tablet in the comfort of the kitchen downstairs.
• There’s a bespoke built accessible toilet in the yard at the back (the porta-loo Wunderbar ordered was denied access due to overhead telephone wires in the lane. The production team created a new one to fit.)
• Audio descriptions for the blind or partially sighted
• A portable hearing loop
• A transcript of the audio guide
• The option to listen to the audio tour on loud speaker
• Bespoke visits tailored to your needs, including relaxed and BSL on request.

There’s a dedicated page about access at the show here.

https://wunderbar.org.uk/gtw/access/

I’m pretty sure what we’ve set up is rare for a temporary art installation. We know we haven’t been able to do everything but, given our resources, we’ve done our best to make the show as accessible as possible.

And the best thing is that we have been able to be responsive to people and the tailoring of bespoke experiences – partly because we have the resources, but mostly because the hosts of the show are so welcoming and ready to adapt.

What we’ve learnt

Despite all our planning it’s been much harder than we thought to make this happen due to stuff we just hadn’t anticipated. So, for the record, here’s some top tips I would give myself when (hopefully) working on a massive project again and planning access work.

Time
Typically, and considering how complex the installation is, a team of about 10 of us worked right up to the last minute before the first preview to finish. What we hadn’t factored in was the time needed to also produce great quality digital access material.

The film, text, images and so much care went into making all this material. I mean, if you’re making a film of part of the show for people who can’t physically get round the installation then as much care needs to go into that as into the art work itself.

Filmmaker Alastair Cummings was brilliant . He worked around the crashing and banging of the installation but inevitably finished filming it all after the launch when quiet enveloped the house. So that took an extra week to get working on the tablets.

Producing the rest of the digital access work took longer still. Geography was challenging – Great Tiny War and Wunderbar are in Newcastle, Caroline Dawson, our access specialist from Daily Life Ltd, the sound producer and I are based in London and, after the launch, so was technician Steve Wald. Sarah Pickthall is in Brighton, Alastair is in North Shields. Communication and time and travel cost energy and cash… we hadn’t quite thought through the logistics of all that.

Comms
Sally Flemons, Wunderbar’s Communications Director, ran a really top class campaign for the project working with SFPPR and the 14-18 NOW team – hence the high audience level.

With Sarah Pickthall we had a plan for a special comms campaign to reach new networks – but didn’t make enough allowance for the extra time needed, including finding just the right people to reach. We could have done with local specialist help budgeted in.

Budget
How do you budget properly? It’s the most important thing surely? We did a pretty good estimate with Sarah Pickthall but what we hadn’t factored in was the extra time it took us all. Film, text, images, recordings, installing it on headsets, testing it required so much care and time. Next time we would budget for another local person on the team to help project manage the making of the access materials, as well as more time for comms.

And finally – Me
I’ve never tried to work out my own access needs and costs in advance for such a massive amount of work. I’m rather exhausted now with every joint in my creaky body aching. I’m seeing the doctor later today and the physio too, about pain management and recovering from it all. So I think reflecting on what I could have arranged better will take another blog…!

But despite all this we are so pleased with what we have achieved given all the challenges. Feedback from audience members has been very encouraging.

We’ve thought very hard about how we communicate our accessibility offer so as to be really clear (plain English) but not patronising and avoid ‘labelling’ – readers of my last DAO blog will know how I feel about this.

People have been getting in touch with bespoke access requests and we’ve been doing what we can to help support these. We are also very keen to listen to feedback and be dynamic in our approach so please do share with us any comments or suggestions.

There’s 2 more weeks to see the show… see what you think and let us know!

Tickets for Bobby Baker’s Great & Tiny War, an art installation in a house in Newcastle, are available until 28 November.

Forces News broadcasts video about Great and Tiny War

A couple of weeks ago Hannah King from Forces News visited 133 Sidney Grove to do some filming and interview Wunderbar Artistic Director, Ilana Mitchell about the installation. The film has now been broadcast and can be viewed here:

https://www.forces.net/news/womens-wartime-experiences-documented-exhibition

Newcastle exhibition in a terraced house is extended due to popularity

A museum exhibition is showcasing the role of women during the First World War.

The role of women in the First World War is being explored in an exhibition in Newcastle. It looks not at their part in the war effort - but rather their essential role in keeping households running.

'Great & Tiny War', by artist Bobby Baker, celebrates the women who stayed at home, bringing up children, feeding families and keeping households running while the Great War raged on.

Situated at 133 Sidney Grove, visitors are shown around the exhibition by an audio guide, telling stories about women's lives during the conflict.

Each room is dedicated to women’s domestic experiences during World War One –  an aspect of history Artistic Director of the project - Ilana Mitchell believes is often overlooked: "The focus very often on war is about the fighting, the politics.

"Very often work that is traditionally women’s work, housework, domestic work, is overlooked as something that is valued."

One downstairs room has been dubbed the 'Baked Armoury' and is filled with artistic sculptures, from a dove and a pineapple to barbed wire.

All the artwork has been baked by women with a diverse connection to warfare; some are refugees, whilst others are veterans.

"We started off with the idea of baked weapons," Ms Mitchell told Forces News.

"We worked with bread dough which is a very funny sculpture material because it’s very uncontrollable and also very domestic.

"Actually rather than weapons, most of the works are sort of amulets – sort of more protective, more gentle-seeming."

The final room contains 4,701 peppermint creams, designed to represent how many meals a family at home would have aimed to eat during the 1,567 days of the Great War.

Bobby Baker’s 'Great & Tiny War' will remain open to members of the public until 28 November 2018.

Great and Tiny War Dates Extended - 7 September - 28 November 2018

Great & Tiny War now open until 28 November

It pleases me to announce that, to keep up with demand, the run of Bobby Baker's Great & Tiny War has been extended and extra time slots and more dates have been added so that everyone who wants to can come.

A WORLD PREMIERE
7 SEPTEMBER - 28 NOVEMBER 2018

There are a maximum of 4 tickets available for each tour slot. Slots are available Wednesday to Sunday from 7 September to 28 November 2018.

Relaxed visits for Mondays, Tuesdays and mornings Wednesday – Friday are available by special arrangement – please email us or call 07535 008875.

Book tickets by following the link below

https://wunderbar.org.uk/product/gtw/

Access for all - New resources available

The Wunderbar team are trying our hardest with the resources we have to ensure that the Great & Tiny War house is accessible for as many people as possible.

Visitors to the house can now use:

• An easy read visual guide explaining clearly what to expect in advance
• A captioned film showing what's upstairs in the house 
• Audio descriptions for the blind or partially sighted
• A portable hearing loop
• A transcript of the audio guide
• The option to listen to the audio tour on loud speaker
• Bespoke visits tailored to your needs, including relaxed and BSL on request.

Do get in touch using the contact details below if there's anything we can do to help make your visit easier.

Email: info@wunderbar.org.uk 
Tel:07535 008875. 

We'll do everything we can to make it work for you.

Great & Tiny War featured on BBC Look North (North East & Cumbria)

Tonight (Monday 10th September) BBC Look North (North East & Cumbria) featured Bobby Baker's Great & Tiny War.

Sharuna Sagar visited the Great & Tiny War house today.

She was given a tour by one of my fellow hosts, Hannah.

Like everyone who does the tour, she ended in the kitchen where she was offered a cup of tea (other beverages available!) and a biscuit

If you missed the live version at 6:30pm, fear not as it is available on BBC iplayer

https://www.bbc.co.uk/iplayer/episode/b0bjcgpt/look-north-north-east-and-cumbria-evening-news-10092018

Press launch of Bobby Baker's Great & Tiny War

After years of planning and hard work, Bobby Baker's Great & Tiny War opened its doors to the press today. I was honoured to be giving the first few tours, and was delighted to hear visitors being so complementary and positive about the project. 

It's still not quite sunk in that this amazing project is taking place so close to where I live, 133 Sidney Grove. Talk about being on my doorstep!

To come and experience the work for yourself book online http://bit.ly/Greatinytickets  #greatinywar
You've got until 9th November, but be warned - tickets are selling fast!

Great & Tiny War on BBC Radio 4's Today Programme

Get a flavour for 4,701 meals by listening to @BobbytheBaker talking about her Great & Tiny War on @BBCr4today here on iPlayer, 1hr42 in. http://

https://www.bbc.co.uk/programmes/b0bgp8g6