The small group of Glasgow School of Art graduates that make up the Glasgow Open House committee began planning the festival in the Summer of 2013. They were "keen to engage with new audiences by opening up their living and working environments to neighbours, fellow artists and the public."
There was an open call for exhibition proposals, and as a result, "the 2014 programme of visual arts, performance and music includes the work of over 80 artists scattered across 32 venues in every corner of Glasgow. It includes exhibitions and events in flats, gardens, sheds and other unexpected locations, reflecting the work of individual artists, collaborative groups and organisations."
For more information about the festival, visit http://glasgowopenhouse.co.uk/#
Today I ventured to Westerton for A Secluded Sketching Ground, an exhibition by Lynn Hynd and Sara Barker.
"Using the visual framework of the garden & wooden shed, Hynd & Barker explore the languages of flatness & space, painting & sculpture, and the thresholds between interior & exterior space, collapsed and re materialized through an active engagement with ‘process’.
The garden is an extension of the artists’ studio, the brink at which the external world is contemplated. The garden’s enclosures, platforms, stages, grounds, surface, colours and roots create an adaptive environment for, and blurr the boundaries of the work itself.
An obsession with surface is everywhere in a garden & the artists’ respective practices are linked in their exploration of the perception & palpability of material , as the blurring of boundaries allow the values of indoor space to escape to the outdoors, evoking a conversation between structure & activity."