Artists to question politicians over fair pay in political hustings

Scottish artists campaigning for "fair pay" from galleries are to challenge political candidates in an election style-hustings event this weekend.

Two artist membership organisations, A-N and the Scottish Artists Union (SAU) will host an event in Glasgow with representatives political candidates from major parties.

The cultural hustings will be held at The Whisky Bond on Saturday, May 2.

The event will be chaired by Jim Tough, executive director of the Saltire Society, alongside a cultural panel that includes Kyla McDonald, artistic director of Glasgow Sculpture Studios, artist Sukaina Kubba, academic Emma Flynn and a representative from the Scottish Artists Union. 

The political panel will include Moira Crawford of the Green Party, Chris Young from the Liberal Democrats, Gordon McCaskill, Conservative, Brian Smith, Trade Union and Socialist Coalition, with an SNP and Labour candidate to be announced.

Janie Nicoll, an artist, said: "Some publicly-funded galleries pay artists fairly, others don't and getting them to be transparent and open about their payment policies is the first step to making sure we all get proper payment for the work we do.

"The hustings debate is about raising the awareness of election candidates so they understand the importance of the issue and use their influence to encourage galleries to spend tax payers' money in a way which supports fair payment."

The event is part of a nationwide campaign Paying Artists campaign based on research showing that 71% of artists do not get a fee for exhibiting in publicly funded galleries - with 63% of artists having to turn down gallery requests because they cannot afford to exhibit for nothing. 

The event coincides with the artist-led city wide Glasgow Open House Festival in which artists will showcase new work or ideas within public and domestic locations. 

This year the programme features 200 artists across 50 venues.

Phil Miller, Arts Correspondent

http://www.heraldscotland.com/news/home-news/artists-to-question-politicians-over-fair-pay-in-political-hustings.124639764

Glasgow Open House

Yesterday I ended my day of exhibitions at 1 Royal Terrace, with the opening of Below The Spillway, a solo exhibition by Augustus Veinoglou as part of Glasgow Open House, the art festival with the aim to "offer an alternative format for public interaction with art outside of the gallery, generating discussion around the way art is exhibited and consumed both in and out of doors." 

The small group of Glasgow School of Art graduates that make up the Glasgow Open House committee began planning the festival in the Summer of 2013. They were "keen to engage with new audiences by opening up their living and working environments to neighbours, fellow artists and the public."

There was an open call for exhibition proposals, and as a result, "the 2014 programme of visual arts, performance and music includes the work of over 80 artists scattered across 32 venues in every corner of Glasgow. It includes exhibitions and events in flats, gardens, sheds and other unexpected locations, reflecting the work of individual artists, collaborative groups and organisations."

For more information about the festival, visit http://glasgowopenhouse.co.uk/#

Today I ventured to Westerton for A Secluded Sketching Ground, an exhibition by Lynn Hynd and Sara Barker.

"Using the visual framework of the garden & wooden shed, Hynd & Barker explore the languages of flatness & space, painting & sculpture, and the thresholds between interior & exterior space, collapsed and re materialized through an active engagement with ‘process’.

The garden is an extension of the artists’ studio, the brink at which the external world is contemplated. The garden’s enclosures, platforms, stages, grounds, surface, colours and roots create an adaptive environment for, and blurr the boundaries of the work itself.

An obsession with surface is everywhere in a garden & the artists’ respective practices are linked in their exploration of the perception & palpability of material , as the blurring of boundaries allow the values of indoor space to escape to the outdoors, evoking a conversation between structure & activity."

I look forward to exploring more Glasgow Open House exhibitions over the next week.