Showing posts with label Lit and Phil. Show all posts
Showing posts with label Lit and Phil. Show all posts

Wednesday, 27 May 2015

A poetic response to 'Out of Kansas'

Artist Holly Weaver attended the Out of Kansas discussion event at the Lit & Phil, and following her visit she wrote to us about her experience.

"Going upstairs to see your work truly made the difference, I enjoyed the fact that from where we were sitting downstairs you could only see a slither of colour, on some of the shelves I was unsure if anything was there and then going upstairs I was really overwhelmed and inspired by the structures. On the way home I wrote a piece about the work and thought I would share it with you:"



As happy coincidence would have it, this surface is yellow.
Golden, invisible, but Gold. This was unexpected. 
I had the urge to conquer each of them,
to jump over the rail and hop from each like tiles on a path.
 
They are chunks of cheese, unreachable from the ground much like,
the episode of Wallace and Gromit on a grand day out, crackers at
the ready to sample the cheese on the moon in their makeshift
spaceship.
Exhilarated and otherworldly.
Monuments born out of wood. The Gold though.


Monday, 25 May 2015

Post from Tracy Mackenna and Edwin Janssen

I regard it as a real treat to receive a personal letter, note, postcard or parcel from a friend. Items of post such as these make a welcome change from the usual bank statement, bill or piece of junk mail.

I have received a package from Tracy Mackenna and Edwin Janssen, the collaborative duo of artists who gave a talk the other week as part of the Newcastle University visiting artist lecture series, and with whom I had a wonderful tutorial with.


In the tutorial I was discussing the Out of Kansas exhibition at the Lit & Phil, and that Jodie and I were going to host a discussion event. I explained that we wanted to engage Lit & Phil regulars and those who visited the exhibition, and talk about issues around the work such as site responsive art, the changing role of libraries, and gather some opinions.

I then mentioned that Jodie and I are considering producing some form of material that could prolong the life of the artwork, and act as a document of what happened.

They then told me about one of their own pieces of work in which they had produced a set of beer mats that captured some of the conversations that happened in the pub.


I was delighted to find that in the brown A4 envelope there were a few beer mats as well as a postcard, a friends forever badge and a publication. Huge thanks to Edwin and Tracy for sending me such a thoughtful piece of post. Much appreciated!                              

Saturday, 23 May 2015

Out of Kansas destall

Today was the day we had to destall Out of Kansas from the Lit and Phil. How time has passed so quickly. 




Thankfully, taking the forms down from the top of the bookcases was easier than it had been to get them up. We carried them downstairs out of the way, and dismantled them. 



There were a number of reasons why we did not keep them intact. Most importantly, the forms had been made specifically for the Lit and Phil, and they would not work in the way we wanted them to work if they were sited in another context. 

    

We also have very little/ no room for storage of work. 



Thirdly, having spent hundreds of pounds creating the exhibition, we had no money to pay for another van to transport the work back to the studio. 


With the seats down and some careful positioning, we were able to fit the components of the forms in Jodie's car, but not when they were fully constructed.



The moveable forms were not so easy to transport, and involved us pushing them from the Lit & Phil through a bustling Newcastle city centre on a sunny day at lunchtime. Despite the number of people around, no one offered to help, even when the wheels of one of the forms got stuck on a kerb of a busy road! Half-way on the journey, two of the wheels fell off one of the forms, making it even more difficult to manoeuvre! It must have been a rather funny sight, seeing two small women pushing two large shiny silver geometric shapes along the busiest street of Newcastle! 


As we approached the University, a friend spotted a moving triangle, and knew it had to be me! He stood outside the cafe and laughed as he took a few photos!

























Friday, 22 May 2015

Out of Kansas discussion event

Thanks to those who contributed to the Out of Kansas discussion at the Lit and Phil today. It was really interesting to talk about some of the issues surrounding the exhibition and hear your thoughts on the work. When I think back to all of the things we covered, it is easy to see where the three hours went!

- The apprehension that some artists have about using colour, and the reasons for this

- Chromophobia



















- The Luminous and the grey


- The Culture of Yellow


- The Wizard of Oz


- Bookbinding
- Marbling
- The history of the Lit & Phil
- The role of libraries and how this has changed
- The library as a site for art
- The Cubby hole
- Viz magazine
- The Ladies Room
- The Smoking Room
- The comments book
- Site specificity

I look forward to following up on some of the recommendations and am excited to read the poetry being written in response to the artwork.

Wednesday, 20 May 2015

Out of Kansas discussion event - Thursday 21st May 2015 - 1-2pm - The Lit & Phil, Newcastle

As part of our exhibition, Out of Kansas, Helen Shaddock and Jodie Dunnill will be hosting a discussion event on Thursday 21st May 2015 between 1-2pm at the Lit & Phil in the main library. 

The event will be a way for library users, and visitors to the exhibition to join in a discussion around the work. 


We are eager to generate an honest discussion, and are inviting a number of people from different backgrounds to share their experience. 
 
We would be delighted if you would join us for what will be an insightful mode of engagement, and a positive way to conclude our exhibition. 
 
Refreshments and biscuits will be served.

Tuesday, 12 May 2015

From studio to Lit and Phil


After a few final touch ups, the sculptural forms were ready to be wrapped and transported to their new home: the Lit and Phil.


For the past week, the studio has been inundated with triangular MDF forms. The other MFA students  with whom we share the studio have been extremely accommodating of our need for rather a lot of space as we worked on the sculptures - thanks folks!

One by one we wrapped the triangles and then negotiated our way with them from the 4th floor to the ground floor through many a set of double doors!



Our initial plans to move the sculptures in Jodie's car now seems like a joke given the size and number of items we had to move.

We hired Robert, a man with a van to transport the work to the Lit and Phil in one easy trip. The van could not have been more fitting for the sculptures - it was as though he had chosen the colour to complement our artwork!


On the journey to the Lit and Phil I asked Robert what was the most unusual item he had moved. He then began telling me of the item of furniture that had been adapted on one side and turned into a snow scene with lots of miniature people and models. From the outside the item of furniture looked inconspicuous, but when the doors were opened, a miniature snow scene was revealed.

It turned out that he was a regular art handler, and it is not unusual for him to transport paintings by Damien Hirst around the country. At one time, he had over £3 million in the back of his van!


Once we had unloaded the items from the van, we put them in the Librarians office for unwrapping, and peeled off the film protecting the reflective surfaces from getting chipped or damaged.


We then began placing the forms on the tops of the bookcases. There are a number of different styles and sizes of bookcases in the main library and we had made specific forms for specific bookcases. We followed our plan of the positioning of the shapes, but made a few adjustments once they were installed.


The bookbinding group meet on Monday evenings and take a break around 8pm for a cuppa and biscuit. As they sat at the round table, with interest they watched us climb up the ladders and install the work. Their engagement was very encouraging, and they responded positively to the work. 




Monday, 11 May 2015

Trimming the reflective vinyl

With one day to go before the install of Out of Kansas at The Lit and Phil, Jodie and I had a busy day finishing the work in readiness to be transported to The Lit and Phil in the afternoon.

Trimming the excess vinyl off one of the moveable sculptures

Sunday, 10 May 2015

Sculptural forms for tops of bookcases are assembled

As we move closer to the install of Out of Kansas at the Lit and Phil, we are now working on the final aspects of the work. Today I have assembled the remaining sculptural forms for the tops of bookcases and left them clamped overnight.


Friday, 8 May 2015

Painting by numbers, and letters and pictures

Jodie and I are in the final stages of preparation for our forthcoming Out of Kansas exhibition at the Lit and Phil which opens on Tuesday evening.

Part of the exhibition will consist of sculptural forms sitting on top of the existing bookshelves in the library. These forms are constructed with 3 pieces of MDF which have been painted according to our colour scheme. Each form is one of three heights: high, medium and low, and one of 3 surfaces: yellow matt, warm yellow matt or/and acrylic mirrored.  



With lots of similar shapes and sizes, it is easy to get them confused with each other. This is problematic because we have chosen the colour combinations carefully and there are specific pieces that need to go against each other in order for the tapered edges to join neatly.

We developed a methodical system of labelling (using numbers, letters and pictures) and worked our way through painting all of the sides in a logical manner. It was satisfying to leave the studio tonight with the forms painted and propped up in their groups around the room. The next step is to apply the vinyl to the surfaces to be mirrored.                                                      

Tuesday, 5 May 2015

Out of Kansas - a collaborative exhibition by artists Jodie Dunnill and Helen Shaddock - Preview: 6pm-8pm Tuesday 12th May 2015 - The Lit & Phil, Newcastle

PRESS RELEASE
Out of Kansas

Preview: 6pm-8pm Tuesday 12th May 2015
Exhibition continues: 13th – 21st May 2015
Monday – Thursday : 9:30am - 7pm
Friday : 9:30am – 5pm
Saturday : 9:30am – 1pm

The Lit & Phil
23 Westgate Road
Newcastle upon Tyne
NE1 1SE

Out of Kansas is a collaborative exhibition by artists Jodie Dunnill and Helen Shaddock, in which they have responded to the architecture and atmosphere of the Main Library in the Lit & Phil. This is the first time that the artists have collaborated with each other, encouraging them to use unfamiliar materials and work on an ambitious scale.

Out of Kansas is a sculptural installation that incorporates the upper and lower levels of the main library. Made from reflective and coloured surfaces, the work acts as a device for the audience to view the space differently, exploring it in new ways from different perspectives.

Both artists recognised that the Lit & Phil is a library with a difference, and time in the library revealed particular aspects that help create this distinctive space. The artists sought to capture the essence of the library in their artistic response, as oppose to change it.

Jodie Dunnill and Helen Shaddock are currently studying at Newcastle University on a Master of Fine Art course.  Dunnill completed her BA degree from Liverpool John Moores in 2014.  Recent exhibitions include 8BA2, St Helens (2014), and Snippet, Newcastle (2015). 


Shaddock graduated from Glasgow School of Art in 2008 with a Degree in Fine Art: Environmental Art. Since 2014 Shaddock has been based in Newcastle. Shaddock has been involved in exhibitions nationally and internationally, and her work is in a number of public and private collections. Recent exhibitions include a solo exhibition of new work at 1 Royal Terrace, Glasgow (2014) and Snippet, a group exhibition at Newcastle University (2015). Forthcoming exhibitions include a group exhibition at the Hatton Gallery, Newcastle as part of The Late Shows this May.

Out of Kansas is supported by the Alumni Association Student Initiative Fund through Newcastle University.

Note to editors:
For more information contact: Helen Shaddock, 07845 579706, out.of.kansas.exhibition@gmail.com
To find out more about the Alumni Association Student Initiative Fund visit http://www.ncl.ac.uk/students/nclplus/funding/fund/
Copyright © 2015 Jodie Dunnill & Helen Shaddock, All rights reserved.

Our mailing address is:
out.of.kansas.exhibition@gmail.com

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Saturday, 2 May 2015

Building, filling, measuring, and more number crunching

We've spent another productive day in the wood workshop, beginning with building the first of many of the forms that are to be placed on top of the bookcases. We applied wood filler to a couple of the moveable sculptures ready to be sanded tomorrow. 



After calculating more of the dimensions and angles of some of the other forms (we are producing a number of different shapes for the bookcases) these pieces were cut and the appropriate edges were tapered. Moving one of the wheeled sculptures up to the studio was fun, and the ease of doing so reassured me that wheeling the sculptures through town to the Lit and Phil may not be such a crazy idea!




Wednesday, 29 April 2015

Today's new skill: how to plane wood

Its been another busy day in the wood workshop as today we have been building the final of our three moveable sculptures. This one is based on the existing book trolley that can be wheeled around the library.


We have followed the dimensions of the book trolley for our sculpture, but have altered the shape to be triangular at the sides, on a rectangular base. Making this shape required us to learn another new technique/skill, namely planing. After an introductory demonstration by Joe, we took it in turns to plane the edges of the two sheets of wood that would form the apex of the sculpture. 


It was hugely satisfying when the two edges fitted together neatly!


Tomorrow we will build a support structure/framework, and attach the wheels.



Friday, 24 April 2015

Moveable sculptures in development

After days spent in front of a computer working out the dimensions for the moveable sculptures to be installed in our forthcoming exhibition at the Lit and Phil, it is a relief to be hands-on in the wood workshop using physical materials as opposed to digital mock-ups.

Today we made good progress and completed the first moveable structure. We still need to finish the surface, but the shape is made, and it moves!


Friday, 17 April 2015

Pythagoras comes in useful

Jodie and I have been back in the land of GCSE maths with Pythagoras' theorem. We've been number crunching to work out lengths of sides for our sculptures,angles etc.

Looking forward to building next week.



Wednesday, 15 April 2015

Sketch up

Throughout the development of our work for the exhibition at the Lit and Phil, Jodie and I have been learning new skills and trying out new approaches to making work.

Our ability to learn the basics of video mapping encouraged us to pursue learning how to use other software, more specifically the 3D modelling software, Sketch Up. This provides the tools to create all kinds of 3D images and designs, from woodworking blueprints to urban planning designs.

We have been using Sketch Up to create a digital model of the Lit and Phil library so as to be able to visualise how our work will be installed in the space. 


We began by drawing lines to create the outline shape of the rooms we will be exhibiting in, and then added in the furniture such as tables, bookcases, chairs and tables. For some of these items we drew lines to create their shapes and then pulled the surfaces to turn them into 3D forms. For other objects we were able to import readymade forms from the Sketch Up image stock. 

It is possible to move around the model and look at it from different angles and perspectives which really helps when planning the position of our work.

We still feel the need to make a physical model to help us decide where to place things, but it has been incredibly useful to learn the basics of SketchUp.


  • Wednesday, 31 December 2014

    Soaking in the atmosphere of the Lit and Phil

    I will be taking part in a 3-person exhibition at the Literature and Philosophical Society (Lit and Phil) in March, and I am eager to get a sense of the place, how it is used and who uses it. I spent the afternoon soaking up the atmosphere and talking to people in the Lit and Phil.
    On arrival I headed straight to the oval table towards the back of the main library room. The table is positioned in close proximity to a coffee machine, biscuit tin and 'the hatch', one of the features that distinguishes this building from other libraries. The hatch is run by volunteers who take it in turns to serve tea and coffee and biscuits. When the hatch is not manned, there is a tea and coffee machine and a biscuit tin that people can help themselves to.

    As I sat at the table eating my packed lunch (yes, eating in the library is permitted!), I soon realised that there was no way that I could concentrate on reading the book that I had picked up as there were interesting conversations taking place around me.

    Over the next few hours, a steady stream of people, ranging from a 3-year old to a 93-year old came and sat at the table. When asked what his favourite thing about the Lit and Phil is, Peter, the 3 year old boy, answered 'biscuits!' The importance of biscuits became clear as every person who came to sit at the table brought with them a packet of biscuits of some shape or form, and shared these. I was fortunate enough to meet Paul, the current Chair of the board of governors, who gave me a potted history of the Lit and Phil, from its conception in 1793 through the centuries to today.

    Throughout our conversation other members sat at the table would interject and give their own anecdotes and offer other information to add to my understanding of what is obviously an important society to many people. There are not many places of this kind where one is given such a genuine and personal welcome, be offered food, partake in interesting conversation and be given a tour of the building by one of the members. This place is unique.

    Over the past 15 years the society has experienced severe financial difficulties and at one point its existence was on tenterhooks. It is apparent that its survival relies on the passion and determination of the members and this drive ensures that the society retains its core functions - as a 'conversation club' and library.

    The two functions exist simultaneously, although not always without tensions. In the most recent comments books, an abundance of glowingly positive remarks are punctuated by expressions of frustrations at the lack of silence in the library. Mike, (a current member) spoke about he regards the society as a social space, somewhere to talk about issues and ideas. In the 25 years that he has been a member, he has only borrowed 3 books. For him, the library aspect is not what attracts him, but the homely and comfortable atmosphere.

    The society organises an impressive events programme, including musical events, lectures and art events. For example, in 2013 Dawn Felicia Knox, along with Irene Brown, Sally Madge, Iris Priest, Isabel Lima, Stephen Livingstone, Katy Cole and Benjamin Lawson were involved in Returning to the Philosophers’ Table, an integrated arts project that featured art exhibitions at the Lit & Phil and the Gallery of Wonder: Great North Museum along with cross-disciplinary collaborations and events.

    For more information about Returning to the Philosophers’ Table, visit http://philosopherstable.org

    I asked some of the members for their thoughts on some of the previous art exhibitions and installations that have taken place in the Lit and Phil. Positive comments were made in relation to Returning to the Philosophers’ Table. I get the impression the members I met were pretty open and are keen to attract new people. Tony mentioned that he would like to see a tandoori kitchen installed downstairs!

    As much as I am excited about the space, I am also a little daunted by the challenge ahead. I feel, rightly or wrongly, a sense of responsibility to the members who regard the place as home. The context is already so loaded and full, and the atmosphere is very unique, and I want to use this to its full potential. How I will do this is unknown...

    Watch this space!









    Sunday, 28 December 2014

    History of the Lit and Phil

    The Literature and Philosophical (Lit and Phil) Society was founded early in 1793 as a ‘conversation club’, with an annual subscription of one guinea. The subjects of the conversations - and the books that supported them - were wide-ranging, but religion and politics were prohibited.

    From its outset, the Society had an enterprising, inquisitive and liberal nature: the first women members were admitted by 1804, various groundbreaking demonstrations of new technology took place, such as George Stephenson’s miners’ safety lamp in 1815. In 1820, The Newcastle upon Tyne Society for the gradual abolition of Slavery in the British Dominions was established at a meeting held in the Society’s rooms. The society’s lecture theatre was the first public room to be lit by electric light, during a lecture by Sir Joseph Swan on October 20th 1880.

    In 1822 the foundation stone of the current building was laid by the Duke of Sussex, followed by a grand celebration and meal with 35 toasts and 53 speeches; it was finally opened in 1825.

    Books were always at the heart of the Society’s interests, even though some early practices seem strange today. The first catalogues were sorted by the size of books, and it was only in 1891 that the decision was made to purchase novels; nobody seemed any the worse for this radical move excepting possibly, as one distinguished member pointed out, “those unfortunate enough to read them”. Novels now form a significant part of the collection of 150,000 books, and an active bookbinding and restoration programme manages the condition of the older volumes.

    During the nineteenth and twentieth centuries the Society became involved in other spheres of activity. Chief amongst these were it's active contribution to the University Extension scheme and the establishment of a thriving lecture programme that continues to this day. Over the years it has attracted many eminent speakers; a scan through the list reveals names such as Oscar Wilde, Edith Sitwell, F.R. Leavis, Mary Kingsley, Dorothy Sayers and John Betjeman.

    The Society also has a heavy involvement with music. Some one hundred years ago the library started to acquire scores, and in 1942 an official gramophone library was created that formed the basis of the current collection - one of the finest in the North of England.

    The Society has been at the heart of activities in the region for over two hundred years - with interests in the arts, music and science. In 2012 membership of the Society reached over 2000, and there have been tens of thousands of visitors.

    Notable members include:

    W.G. Armstrong
    President of the Society 1860-1900
    Inventor, industrialist and businessman.

    Sid Chaplin
    Vice President of the Society 1976-1985
    Prize winning writer and founder member of Northern Arts.

    John Dobson
    Architect.

    Ruth Dodds
    Author, councillor and the first woman 'Freeman' of Newcastle.

    Richard Grainger
    Architect

    Robert Stephenson
    President of the Society 1855-1860
    Mechanical and structural engineer.

    Joseph Wilson Swan
    President of the Society 1911-1914
    Pharmacist, chemist, electrical engineer and inventor.

    Monday, 22 December 2014

    Winter Solstice at The Lit and Phil


    Mariam Rezaei is the current Composer in Residence at the Literary and Philosophical Society of Newcastle, and has been working with ZENDEH, an organisation led by Artistic Director Nazli Tabatabai-Khatambakhsh that produces high quality cross art form productions with creative engagement programmes that are culturally eclectic, unforgettable and attract new audiences.


    ZENDEH is a Farsi word meaning ALIVE, and the organisation adopts an approach that listens, breathes and transforms. It values creative collaboration, sharing and the imagination.

     

    Inspired by Shab-e Yalda, the Persian Winter Solstice, ZENDEH held a Winter Soltice event at the Lit and Phil consisting of poetry readings, storytelling, workshops, art, music and theatre.

    I went along to help out and participate in the evenings happenings.

    ZENDEH's next production, CINEMA, was at the core of the event with the artists and musicians responding to the tragic event of August 1978 in which 422 people died in a fire that happened in Cinema Rex, Iran.


    I took part in a workshop ran by multi-disciplinary musician and new media artist Sean Cotterill. We made primitive synthesisers producing different tones and then used these musical devices in a performance. We were given a graph depicting the population statistics of Abadan, which we interpreted as a musical score, and over a period of 5 minutes we made a range of sounds with the synthesisers. As the population rose, the tendency was for us to make our devices louder and more intense.



    www.seancotterill.com

    Yvette Hawkins presented an installation of cut-out paper scenes illuminated in the dark and quiet downstairs library. http://www.yvettehawkins.co.uk/



    Christopher Younger invited visitors to interact with, and add to his three-screened artwork.


    The evening ended with poetry readings that were read from the balconies overlooking the library.


    Bearing in mind that I will be participating in a small group exhibition in the Lit and Phil in March, I was interested to discover the audience that attended the event, and was surprised to find that the majority had never been in the Lit and Phil before, but following this special occasion, they certainly intend to return.


    Thursday, 6 November 2014

    Visit to The Mining Institute and Lit and Phil Society

    As part of our Professional Practice or Exhibition module, this morning we went to visit The Mining Institute and The Literary & Philosophical Society (Lit & Phil). Both of these could be potential venues for our group exhibition which will take place at the beginning of next year.

    "The North of England Institute of Mining and Mechanical Engineers is often abbreviated to “the Mining Institute”.




    The Mining Institute owns one of the finest buildings in Newcastle, Neville Hall, a Victorian building built at the time when high-Gothic architecture was coming into fashion. The outside of the building is known to hundreds of thousands of people, it is next to the Central Station, but few people realise what is inside. Neville Hall houses the memorial to the Institute's first President, Nicholas Wood, an outstanding Victorian Library resplendent filled with superb stonework, redolent with exquisite carved stone, wood and paintings with a beautifully decorated ceiling, a vast glass roof and filled with furniture designed for the library in 1872. Below the Library is the Edwardian Lecture Theatre, modeled on the Royal Institution in London and constructed in deep red Cuban Mahogany."




    The librarian was ever so helpful and was enthusiastic about working with Art students from the University. She mentioned that the building had been used in the past for exhibitions and once a circus had a trapeze in the library.

    We then went to The Literary & Philosophical Society (Lit & Phil); the largest independent library outside London, housing over 150,000 books. A wide selection of current fiction and non-fiction can be found alongside historical collections covering every field of interest.



    The music library is without equal in the North of England, including 8,000 CDs and 10,000 LPs.

    The Grade II* listed building was opened in 1825 and the magnificent reading rooms remain largely unchanged. The collection is coupled with an extensive set of periodicals.

    When thinking about making work in such loaded spaces, I have a feeling of dread as I feel as though there are already so many existing things of interest in the building, that I feel as though my work would be overlooked, and question whether it would have a meaningful presence. 

    One way of tackling this would be to create an event in which something happens, emphasising the qualities of the space, or drawing upon what happens in the space.

    For example, Irene told me that the Lit and Phil society used to hold events called 'The Philosophical Table' at which members of the Lit and Phil would discuss ideas. The only topics which were banned were religion and politics. Unfortunately these discussions no longer happen, and one idea that I have is to reinstate them. I would want to add my own take on the 'Philosophers Table', in order to differentiate it from what used to happen.

    I was taken by the fairly large group of readers who were sat eating their sandwiches whilst reading books and chatting as a group. There was a little kitchenette in the library at which one could purchase tea, coffee and biscuits, creating a warm, welcoming atmosphere. I imagine that there is a regular group of individuals who spend hours in the library, and it could be interesting to hear about their lives and experience of the library.

    Perhaps I could hold a 'Philosophers Table' event at which members are invited to talk about one book in the library that particularly interests them. Rather like a show and tell event, this could be a great way of getting to know both the individuals and the content of the library.