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Statement
I am an artist making work that incorporates installation, video, sound, sculpture, performance, & writing to explore the human condition. I investigate ways to immerse the audience in multi-layered psychological & physical situations.
I trained at Leeds College of Art & Design (Foundation), Glasgow School of Art (BA (Hons) Fine Art: Sculpture & Environmental Art) and Newcastle University (Masters of Fine Art).
My lived experience of eating distress & obsessive compulsive disorder informs the work I create & the way I work. Some of the consequences of living with these conditions are that rigour, routine & attention to detail are fundamental to my way of life, all of which are integral to my creative practice; using the constraints of systems, I allow chance & playful elements to create unexpected results.
My work is regularly exhibited in solo & group exhibitions across the UK, USA, Canada & South Korea & is contained in various public collections. I have a number of public artworks, been commissioned to produce site-specific work & have taken part in national & international residencies, consistently since 2005.
2020-21
Awarded Arts Council England Developing Your Creative Practice funding for a printmaking residency with Charrington Editions
Byre-Group exhibition in which I created a site-specific installation alongside some creative writing
Everything Will Be Alright-an audio installation at Cheeseburn Sculpture, commission by curator Matthew Jarratt
Filling Time-a watercolour calendar-based work, currently exhibited at BALTIC centre for contemporary art
Lockdown Diary-a daily online process since March 2020, that has been acquired by the Wellcome Collection
Home Time-a creative tool for public, inspired by Lockdown Diary, commissioned by New Writing North
Inclusion in a new Alec Finlay publication.
I work in my studio at NewBridge Projects in Newcastle & as well as my solo work I collaborate with David Foggo as marginendeavour; I am often invited to speak to students, artists & facilitate workshops.
Website: www.helenshaddock.co.uk
Blog: https://helenshaddock.blogspot.co.uk/
Twitter: @hshaddock
Instagram: /helenshaddock
Facebook: /helen.shaddock
Vimeo: /hshaddock
YouTube: /helenshaddock
LinkedIn: /helen-shaddock
Education
Master of Fine Art, Newcastle University, 2016
BA (Hons) Fine Art: Sculpture and Environmental Art , Glasgow School of Art, 2008
Diploma in Foundation Studies (Art and Design), Leeds College of Art & Design, 2005
Blog Archive
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2015
(302)
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January
(28)
- Layer by layer
- Nearly reached the top!
- Ball pool for adults opens in London
- Adding more layers - lime - medium blue - lime
- More layers in the bedrock sequence
- Critique of SEMI at BALTIC 39
- Colour layer 3
- Coloured layer 2
- First pour in the angular mould
- Time for the layers of colour
- A playful day at the museum
- Moulds for new casts
- Sound Strata of Coastal Northumberland by Susan St...
- Visit to the Great North Museum archive at the Dis...
- Fine arts suffer class bias in National Student Su...
- Eames House of Cards
- Delta Design by Hans Strand
- Crystal formation by Bernardo Cesare
- Visit to the Staiths
- Colour burst
- Rednile projects
- Coloured straws
- Silicon on copper - colours separating
- Silicon on copper
- Fun a Day
- Oliver Bonas - a feast for the eyes
- Stan Douglas at The Fruitmarket Gallery
- Generation at the Scottish National Gallery of Mod...
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January
(28)
Posts
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