Showing posts with label The Glasgow School of Art. Show all posts
Showing posts with label The Glasgow School of Art. Show all posts

Thursday, 26 October 2017

'Dance Number' by Louise Hopkins

Mackintosh Building Wall Commission

The Glasgow School of Art



Artist wall commission (2017) 
Digital print on metal, on wood panels. 2.44m x 12.2m. Copyright the artist. Photo: Alan Dimmick.


"Dance Number is a new commission, situated directly opposite the Reid Building, on the temporary wall that surrounds the historic Mackintosh Building whilst restoration is underway.

The artwork responds to its location as part of a building site and busy loading bay. Dance Number forms and performs its own rhythm of hand drawn grid, with red, blue and black geometric shapes. It responds to the lines created by scaffolding, the pedestrian barriers and signs and the movement of people working on, in and around the building. Whilst Dance Number is a separate and unique piece, it has evolved from a chain of reproductions moving from the handmade to the digital.



Louise Hopkins is an artist and part-time lecturer in GSA School of Fine Art. Her practice involves working with what already exists in the world; making paintings onto surfaces that already contain information – such as world maps, patterned fabric and pages from books. Dance Number is her largest scale work to date. Hopkins is currently developing several large-scale works for outside locations."

http://louisehopkins.com/index.php/dance-number-2017/

Tuesday, 7 March 2017

Ash to Art - an exhibition of new work to raise money for The Mackintosh Campus Appeal

"In May 2014 the world-famous Mackintosh Building, at the heart of The Glasgow School of Art’s Garnethill campus, suffered a fire that caused significant damage to the west wing including the loss of the celebrated Mackintosh Library.
The GSA Development Trust subsequently launched The Mackintosh Campus Appeal to raise £32m to help the institution recover from the consequences of the fire, and to deliver an authentic and sympathetic restoration of the Mackintosh Building, including returning the library its original 1910 design. To date the campaign has raised £18.5 million.


25 leading international artists, including Simon Starling, Sir Antony Gormley, Grayson Perry, Cornelia Parker, Jenny Saville, David Shrigley and Douglas Gordon have used materials including charred timbers, debris, books and furniture, retrieved from The Glasgow School of Art’s Mackintosh library after the fire to create original works of art to help raise money for restoration of the Mackintosh Building. Each artist was sent a piece of debris specifically chosen for them with a note telling them what it was, where it was from and explaining the concept. The brief was left open for each artist to interpret what they received and create their own new piece of art.
In an auction titled Ash to Art, created by J. Walter Thompson London in collaboration with The Glasgow School of Art Development Trust, the new art works will be displayed at Christie’s in London King Street in a special exhibition between 3rd and 7th March 2017, then auctioned during the Post-War and Contemporary Art Day Sale on 8th March 2017. The proceeds will be donated to The Mackintosh Campus Appeal."

Saturday, 9 April 2016

Glasgow International - GoMA and Glasgow School of Art

After a day working on the site, we ventured into the city to attend some of the exhibition previews.


COSIMA VON BONIN

WHO'S EXPLOITING WHO IN THE DEEP SEA?

GoMA





Von Bonin’s exhibition Who’s Exploiting Who In The Deep Sea?* brings together a series of works from 2006 onwards exploring the artist’s affection for the creatures of the sea. Working with textiles, music, sculpture, performance, video and painting, her practice is varied and often collaborative in nature.
The artist’s cast of characters are a host of contradictions – approachable creatures who are reminiscent of childhood companions are not what they seem. Weaving together humour with melancholy, these sculptures have ambiguous roles and feelings. Von Bonin is able to use these creatures as agents to explore art history, popular culture and craft, to destabilise perceived constructions of feminism. She has created her own crew to explore the deep sea, where, as an analogy of the human condition it is a true place of the unknown.
The exhibition is co-curated by Director Sarah McCrory and SculptureCenter Curator Ruba Katrib. The exhibition will open in September at SculptureCenter.



TESSA LYNCH

PAINTER’S TABLE

GoMA




Lynch works predominantly with sculpture and performance. Projects develop from research concerned with the emotional impact of the built environment and the questionable existence of the female flâneur, which refers to a man who saunters around observing society, or ‘flâneuse’.
Lynch describes her new exhibition as an architectural drama: a collection of new sculptural works which loosely mimic the objects, scenarios and histories found on her daily commute. The mundane examination of this regular transition from home life to work life generates a self-portrait, exposing what it is to be a female artist living in this city.

Frequently using performance as an active framework for making, Lynch has shared her commute with writers Jenny Richards and Rhona Warwick Paterson to create a new text and performance work. Similar to how a map allows one to navigate city roads and streets, the text offers viewers a script through which one can navigate this installation.





SERENA KORDA

HOLD FAST, STAND SURE, I SCREAM A REVOLUTION





Korda has produced a new sound sculpture that combines her interest in primitive impulses, invented tradition and our skewed relationship to nature. Taking her inspiration from the politically radical history of Garnethill (where the Reid Gallery is situated), Korda continues her investigation into ‘thin places’, anomalies in the landscape which were viewed in pre-Christian times as access points to the afterlife. Foraging expeditions on the Isle of Mull presented the deadly potential of some fungi as possible pathways to ‘thin places’. Mushrooms are imbued in our consciousness as grotesque, magic and poisonous. They attract and repulse in equal measure.
Korda is producing a series of sound experiments performed by an army of ‘agitators’ gathered from the communities of Garnethill and Mull.
Supported by Glasgow International, The Glasgow School of Art, Comar and The Henry Moore Foundation.

Saturday, 8 June 2013

Glasgow School of Art Degree Show

It's hard to believe that 5 years ago I was exhibiting in the Glasgow School of Art Degree Show. There has been lots of change in those 5 years, but the annual degree show continues to raise interesting debate and attracts newspaper coverage.

Here is one article
http://local.stv.tv/glasgow/going-out/articles/228285-glasgow-school-of-art-degree-show-at-garnethill-campus-and-skypark/

The age of austerity and mankind's indifference to goats will be explored in the Glasgow School of Art's Degree Show.

Work from 123 students will take over the Mackintosh Building for the School of Fine Art's showcase.

The collection of painted canvases, video pieces, sculptures, multi-media installations, photography and performance works will be open to the public from June 8 until 15 at the Garnethill campus.

Sculpture and Environmental Art student James MacEacheran will be bringing live goats into his installation which challenges the US military's act of shooting animals to allow soldiers to practice binding wounds.

The 22-year-old explained the importance of the event: “It’s the final hurdle of the year and it’s a good opportunity to show your interests.

“My installation is quite unusual, for one of the days there will be goats there as part of it and for the rest it will just be really messy and smelling of goats. There's a lot of indifference to goats in the world, they are not really livestock and not really pets.

“Mostly, I just want people to be able to connect to goats and to understand they are not just a funny internet phenomenon. I don't come from a farming background, I'm more taking it from a military perspective but I also wanted to do something fun. There's more to goats than people think.”

Artists from the Painting and Printmaking, Sculpture and Environmental Art and Fine Art Photography programmes will exhibit their work side by side for the week.

Kenyersel, real name Gordon Andrew McKerrow, has brought together two figures from the Glasgow music scene for a video portrait.

And there's a particular poignancy to the project after the death of one of the subjects, Dave Wilson, in May following a long battle with cancer.

Gordon said: “I wanted to look at these two Glasgow musicians; Dave Wilson, from the Uptown Shufflers, and Greg Aitken, a classical and jazz guitarist who busks on Ashton Lane. They may have been separated by generations but were such big characters that they had a lot in common.

“I wanted to connect them in a way, they've both grown up in different times but had the same attitudes and passion towards music. It's been interesting to draw their stories together. I recorded a video when they met each other but I've kept that out of the installation because I wanted the connection to be more implicit.”

In other parts of the building visitors can find Glenn Kennedy's paintings examining recent disruptions in Belfast and Rosie O'Grady's multi-media project involving a camel which takes a fun look at the institution's past where 100 years ago staff would bring in live animals for students to draw.

The diversity of the showcase is further highlighted by an Austerity Cafe which Chris Silver will be running throughout the exhibition.

Austerity Cafe Chris Silver at the Austerity Café

Chris will be dressing up and coordinating morning and afternoon performances during the run. He said: "I started the project to try to make sense of austerity and what it meant. I decided to go on a porridge diet and use art in a way to reflect it and I've now ended up eating porridge for the last 138 days.

"When I started researching I found out that the chancellor George Osborne actually studied Modern History, so I thought maybe if I got a 2:1 in this it would qualify me to be a minister or a cultural secretary because it's a bit more relevant than George's background.

"Marie Antoinette was a natural link to the subject of austerity and I'm looking at it through the character Les Mis. I'll be performing and giving out goody bags containing things like porridge and once I've given everything out and there's no more bags to give away people can take the pegs from the walls so in the end there will be nothing else to give.

“I wanted to do something that people would either love or hate. I didn't want there to be an indifference, for this final show I wanted it to be memorable and for the Austerity Cafe to create a legacy of sorts."

Spread out over various sites, members of the public can also check out three floors of design displays by more than 140 students at the Skypark Campus.

The Design School output includes work by Ross Hogg, whose short film The Man Who Mistook His Wife for a Hat has been selected for a screening at the Edinburgh International Film Festival, and Francesca MacDonald's Raviolo Lavorio cookbook.

The Skypark will feature projects from the Silversmithing and Jewellery, Interior Design, Fashion and Textiles, Product Design, Communication Design and Product Design Engineering courses.

Elsewhere, work from 24 postgraduates will be on display at the Glue Factory until June 15.
Work at the Degree Show

Jim Birrell head of painting and printmaking at the Glasgow School of Art says the Degree Shows are a unique opportunity to see up-and-coming artists.

He explained: "At the School of Fine Art there's a lot of focus on social conditions and austerity, much of it deals with the impact of the environment and every year it's interesting to see what the students will come up with.

"They are encouraged to be completely individual and have the scope to do whatever they want within their discipline. The studios are completely transformed for the shows and there's a lot of hard work that goes into the shows.

"It's an opportunity for people to see what goes on at the Glasgow School of Art. No doubt a few of these students will be well known in the future."

The Glasgow School of Art Degree Show is open 10am until 5pm Saturday and Sunday, 10am until 9pm Monday to Thursday, and on Friday from 10am until 7pm at the Garnethill Campus and Skypark Campus.

The MFA show at the Glue Factory is open daily between 11am and 6pm. For more go to the Glasgow School of Art website.

Saturday, 29 September 2012

Will Self Friday Event

Today I was lucky enough to attend the first Friday Event of the 2012-2013 academic session. The speaker was Will Self who introduced and read from his new publication "Umbrella", which is on the shortlist for the Man Booker prize.

Cinema 1 at The Gft, Glasgow had a full audience, which the speaker likened to a "field of mushrooms".

Self did not disappoint, his talk was informative, intelligent and entertaining.

Quote of the day courtesy of Will Self
"semi colons are the coalition of punctuation"

Wednesday, 19 September 2012

WAGE RAGE

Tonight I attended the public meeting to address the need for artists' exhibition fees in non-profit art institutions in Glasgow and beyond.





The event was introduced by artist Charlotte Prodger and then short presentations were given by Isla Leaver-Yap (Freelance Curator), Corin Sworn (Artist) and the Scottish Artists Union. Lise Soskolne, co-organiser of W.A.G.E (Working Artists And The Greater Economy) delivered the main presentation. 




For more information about W.A.G.E, please visit http://www.wageforwork.com

Lots of interesting points were raised, but I will share these with you when I am more awake!