Thursday, 23 February 2017

The Drone Ensemble featuring in Hankil Ryu and lo wie evening performance at Culture Lab

The Drone Ensemble have been invited to perform in

Unpitch presents: Hankil Ryu and lo wie evening performance at Culture Lab, Newcastle upon Tyne, UK.

Invite
You are cordially invited to a series of sound art presentations, workshops and performances to take place on 24th February 2017 in Culture Lab and Fine Art, Newcastle University. These are free and don't cost anything to attend / participate. They are aimed at anyone interested in electronic music, electronic performance, digital media, creative practice involving technology, artists developing their own musical instruments, musicians, artists and those with an interest in contemporary music and performance in Korea.




Background
Following a recent Arts Council England sponsored research visit to SouthKorea artists Ben Freeth and Yvette Hawkins in collaboration with Jez Riley French have invited Korean artist's Hankil Ryu and Lo Wie to Newcastle.

To share practice and expand networks there will be a series of workshops, presentations, and performances taking place over two days: 23rd and 24th February 2017. Ben and Yvette will launch "Hybrid Cultures / Borderless Practice" a book and set of recordings on the Sonospace label. This will feature their work in Korea. https://www.sonospace.org/

Jez Riley French will work with First Year Fine Art Students to create a performance involving field recording and photographic scores.

Hankil Ryu and Io wie will work with Creative Arts Practice students, fine art students and members of the public to explore acts of listening, writing and collective vocalisation.

Daytime
12pm - 1pm Lunch time presentations Hankil / Io wie, JRF (lunch bites format - listen and eat lunch!)
1pm break
1.30pm - 4.30pm Hankil / Lowie Workshop begins
Spaces limited: to reserve a free place book here:
https://www.eventbrite.com/e/text-oriented-composition-hankil-ryu-lo-wie-workshop-tickets-32055137780

Evening
7.00pm Doors open
7.30pm First performance

Performances:
7.30pm Drone Ensemble
8.00pm Jamie Cook
8.40pm Jez Riley French (UK) + (1st Year Fine Art Students)
9.20pm Ben Freeth, John Bowers and Tim Shaw
10pm Hankil Ryu / lo wie (SK)


Artist Bio's / Descriptions:
Hankil RYU (Korean, born 1975) is a musician from Seoul. He has organised a monthly event called RELAY since 2005 and established his own publishing office called The Manual. He is interested in finding an alternative musical structure possessed by abandoned objects like clockworks, typewriters and telephones. After discovering the instrumental possibilities of a typewriter, he started to collaboration project called ‘A.Typist’ with lo wie and Taeyong KIM. The collaboration’s results were released by The Manual and Mediabus as three CD+Book sets. He has also been a member of FEN (Far East Network) since 2008. As a different approach from his past works, in 2015, he started digital beats project called ‘pilot Ryu’ based on synthesis sound.

lo wie
lo wie is Beckett's Typist and a member of A.Typist, and organizing a music composition concert series, Namsan.
http://lo-wie.blogspot.com/
https://vimeo.com/160201665

Hnakil Ryu / lo wie performance on 24th will feature a variety of objects, text and software:
“A. Typist: The Soft Machine”

A.Typist is a project group consisting of the musician Ryu Hankil, and the writers Kim Taeyong and lo wie. They use prepared typewriters with an interest in finding sound/music produced by writing, texts produced by sound/music and unexpected things produced by the relationship of the two ways of producing sound/music and texts. Recently, their interest is extending into translation among writing, text scores and performance, and transition among physical forms of sound, light and electricity.
In this concert, Ryu Hankil and lo wie will perform “cut-up feedback” using their cut-up score based on William Burroughs’ “The Soft Machine” which is the first work of his cut-up trilogy.

Jez Riley French
Alongside performances, exhibitions, installations, JRF lectures and runs workshops around the world and his range of specialist microphones are widely used by recordists, sound artists, musicians, sound designers and cultural organisations.
In recent years he has been working extensively on recordings of surfaces, spaces and situations and developing the concept of photographic scores and ‘scores for listening’, which have featured widely in publications and exhibitions.
His work has been exhibited in shows and installations alongside that of Yoko Ono, David Bowie, Pauline Oliveros, Chris Watson, Alvin Lucier, Annea Lockwood, Ryuchi Sakamoto, Stars of the Lid, Jeremy Deller, Sarah Lucas, Brian Eno, Signe Liden, Sally Ann McIntyre etc, at galleries including The Whitworth Gallery (Manchester), Tate Modern and Tate Britain, MOT - Museum of Contemporary Art, Tokyo (Japan), Artisphere (USA)….
jezrileyfrench.co.uk

Yvette Hawkins
Yvette Hawkins (British Korean, born 1979) is a paper artist of South Korean and English descent who makes installations, sculptural objects and scores for improvised musical performance using books, maps, silk, textiles and other found materials. Hawkins trained at the Glasgow School of Art and graduated from Newcastle University in 2007. She has had numerous group and solo exhibitions within the UK and Europe. She also has pieces in collections in Italy, Japan, and the United States. Her work has been featured in several books. Hawkins is currently represented by Globe Gallery, UK.
https://yvettehawkins.co.uk/

Ben Freeth
Ben Freeth is an artist, musician, and researcher with an interdisciplinary practice using data, networked technologies, sonification, extended recording techniques, prototype electronics and marine algae to create sculptural installations and contemporary sonic performances enabling entangled encounters within “naturecultures” (a necessary entwining of the natural and the cultural, the bodily and the mind). This involves an exploration of sound and its ability to create relations within nature cultures, humans, environments, and technology.
https://bcfreeth.wordpress.com/

Tim Shaw has worked internationally as an artist, performer and sound designer. His practice is situated within media art and draws upon soundscape and electroacoustic composition, performance making and DIY technology. He currently works as a lecturer in Digital Media at Culture Lab, Newcastle. Collaboration plays a central role in his approach, he has been lucky enough to make artistic work with Chris Watson, John Bowers and Sébastien Piquemal.
https://tim-shaw.net/

John Bowers is an artist-researcher working within Culture Lab with a particular interest in the use of art and design-led methods (Research Through Design) to explore digital technologies and novel interaction concepts. He also works as a sound artist improvising with electronic, digital, acoustic and electro-mechanical devices and self-made instruments in performance and installation settings, typically accompanied by live digital image.

Drone Ensemble
The Drone Ensemble is an experimental sound group that uses acoustic instruments that can produce a prolonged drone sound. All the instruments are made by the group and are often re-interpretations of existing instruments from around the world.
The Ensemble intends for the combination of drone and pulse to induce trance-like states and a heightened, timeless listening experience.
Members of the ensemble are students or graduates of Newcastle University Fine Art. The ensemble is led by staff member, Joseph Sallis.

Jamie Cook
"soundscapes created from live foley recordings and granular synthesis"


Sponsored by:
Newcastle Institute of Creative Arts Practice (NICAP)
http://www.ncl.ac.uk/nicap/
Digital Cultures Research Group from Culture Lab
http://digitalcultures.ncl.ac.uk/
Fine Art Newcastle University
http://www.ncl.ac.uk/sacs/fineart/
Arts Council England
www.artscouncil.org.uk/

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