Showing posts with label Catherine Yass. Show all posts
Showing posts with label Catherine Yass. Show all posts

Saturday, 11 November 2017

Catherine Yass Artist talk

The visiting artist at Newcastle University this week was Catherine Yass, the London-based artist. Abandoned urban spaces and sites in a process of construction or deconstruction are of interest to Yass, and often feature in her work. People are usually absent from her work, but this is not the case in High Wire (2008), a multi-screen film and video installation.




High Wire (2008) was filmed at the Red Road housing estate in North Glasgow. When it was built in the early 1960s, Red Road was the highest social housing in Europe, a major achievement for the city planners who sought to rebuild the city. Yet in 2008 it was due to be demolished.


Akin to the utopian principles that were in place at the time that the Red Road housing estate was built, Yass wanted to make a work about "walking in the air, out of nothing." She advertised for a tightrope walker to walk between two of the high rise buildings at Red Road.



Yass worked with French high-wire artist Didier Pasquette. In the talk Yass spoke about her unease when Pasquette told her that he did not want to wear a safety harness. Her terror increased as Pasquette began the tightrope walk and it became clear that the weather conditions were much worse than had been forecast, and Pasquette would need to turn round. He edged his way back to the starting platform.



Yass spoke about how she considered not exhibiting the work as the intention of Pasquette walking from one building to the other had not been fulfilled. However, she began to see this as a strength of the work. I believe that it echoes the situation at the Red Road housing estate; grand ideas of what would exist turned out to be unachievable, and this adds another layer to the work.



Friday, 3 November 2017

Fine Art Visiting Speakers Programme at Newcastle University

The Fine Art department at Newcastle University presents a public weekly programme of research lectures and seminars from some of the most interesting and original artists, critics, curators, historians and art professionals working today. 
Speakers are invited whose work relates to topical research and teaching themes being explored by staff, undergraduate students, postgraduate students and researchers in Fine Art, and is a significant element of Fine Art’s unique commitment to research that tests established boundaries and methodologies. T‌he Lecture programme is intended to transcend traditional discussion boundaries.
The lectures take place every Tuesday evening at 5:15pm, and tend to finish around 6:30pm. They are held in the Fine Art Lecture Theatre. I fully recommend attending the talks - they are open to members of the public as well as students.
The term 1 programme has been organised by Uta Kogelsberger, and is as follows:
Tuesday 10 October
Lise Autogena