This weekend I participated in the field recording workshop organised by NewBridge Projects. The session was Led by Kelvin Brown, one of the artists currently exhibiting work in NewBridge Project Space. The workshop was both a practical introduction to field recording and a chance to collaboratively explore the sonic landscape, and collective memories of the city. Working as a group we produced a set of recordings that document both the sonic characteristics of the city, and the the stories that surround them. These recordings are going to be compiled and a vinyl record pressed and held in the NewBridge archive. The final pressed record will serve as archive of the personal connections to the sonic characteristics within the constantly changing urban landscape.
After a brief introduction to the different types of microphone and sound recorders that we were going to be using, we came up with some ideas of places and sounds within the city that we sonically associated with Newcastle. For example, the sound of standing in the artwork at the Civic Centre and the sound of the Newcastle United fans on a match day. We then walked around the city recording urban sounds and noticing the difference between the microphones.
I was amazed by the way that the binaural microphones create a real sense of movement and positioning of sound in relation to the listener. I was fascinated by the sounds produced by the contact mics, and the variety of sounds made from different points on a generator. I want to explore using contact mics to record insect activity in nature.
I am an artist making work that incorporates installation, video, sound, sculpture, performance, & writing to explore the human condition. I investigate ways to immerse the audience in multi-layered psychological & physical situations.
I trained at Leeds College of Art & Design (Foundation), Glasgow School of Art (BA (Hons) Fine Art: Sculpture & Environmental Art) and Newcastle University (Masters of Fine Art).
My lived experience of eating distress & obsessive compulsive disorder informs the work I create & the way I work. Some of the consequences of living with these conditions are that rigour, routine & attention to detail are fundamental to my way of life, all of which are integral to my creative practice; using the constraints of systems, I allow chance & playful elements to create unexpected results.
My work is regularly exhibited in solo & group exhibitions across the UK, USA, Canada & South Korea & is contained in various public collections. I have a number of public artworks, been commissioned to produce site-specific work & have taken part in national & international residencies, consistently since 2005.
2020-21
Awarded Arts Council England Developing Your Creative Practice funding for a printmaking residency with Charrington Editions
Byre-Group exhibition in which I created a site-specific installation alongside some creative writing
Everything Will Be Alright-an audio installation at Cheeseburn Sculpture, commission by curator Matthew Jarratt
Filling Time-a watercolour calendar-based work, currently exhibited at BALTIC centre for contemporary art
Lockdown Diary-a daily online process since March 2020, that has been acquired by the Wellcome Collection
Home Time-a creative tool for public, inspired by Lockdown Diary, commissioned by New Writing North
Inclusion in a new Alec Finlay publication.
I work in my studio at NewBridge Projects in Newcastle & as well as my solo work I collaborate with David Foggo as marginendeavour; I am often invited to speak to students, artists & facilitate workshops.
Website: www.helenshaddock.co.uk
Blog: https://helenshaddock.blogspot.co.uk/
Twitter: @hshaddock
Instagram: /helenshaddock
Facebook: /helen.shaddock
Vimeo: /hshaddock
YouTube: /helenshaddock
LinkedIn: /helen-shaddock
Education
Master of Fine Art, Newcastle University, 2016
BA (Hons) Fine Art: Sculpture and Environmental Art , Glasgow School of Art, 2008
Diploma in Foundation Studies (Art and Design), Leeds College of Art & Design, 2005
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