Showing posts with label exhibitions. Show all posts
Showing posts with label exhibitions. Show all posts

Friday, 24 November 2017

Carnovsky

Carnovsky is a Milan based art and design duo currently engaged in an project called RGB.

RGB experiments with the interaction between printed and light colours. Images are produced in layers and when a coloured filter (a light or a transparent material) is applied it is possible to see clearly the layers in which the image is composed.

The filter's colors are red, green and blue, each one of them serves to reveal one of the three layers.The resulting images are unexpected and disorienting. The colors mix up, the lines and shapes entwine becoming oneiric and not completely clear.

By applying this to different surfaces and in different contexts, Carnovsky create installations and exhibitions, wallpaper, scarves and skins for phones.


                             




This makes me think about why some dyslexic people (me included) find it easier to read black text on a coloured surface



ZIGZAGGING


Site specific installation with Luca Missoni, Milan Design Week 2013

https://youtu.be/yNItCaE18rE









To find out more, click on the links below

https://www.nuvango.com/collections/carnovsky

https://vimeo.com/151313467

Wednesday, 26 October 2016

The Word, The National Centre For The Written Word on Front Row

In times of major cuts to funding for the arts and culture, listening to Monday night's Front Row on BBC Radio 4 was a welcome treat as it reported on a new cultural venue located in South Tyneside. Last week marked the opening of The Word, The National Centre For The Written Word in South Shields.

http://bbc.in/2dQ1nQ1

"The Word forms the centrepiece of the £100 million regeneration of South Shields Town Centre. The building is brimming with exciting new experiences, activities and facilities for people of all ages to engage and enjoy, from a digital media wall and FabLab to an immersive storytelling experience and interactive touch-tables. The building will also be home to 70,000 books and OpenZone which provides digital learning and ICT to schools.

At its core The Word will celebrate the written word in all its forms through a rolling programme of events, exhibitions and workshops."

It is also a celebration of the spoken word, and there is the opportunity for visitors to add to an archive of dialect and language by writing down any words they are aware of but that are not necessarily widely known.



The building itself is stunning.


"The external appearance of The Word has been strongly influenced by the industrial heritage of South Shields with salt panning, coal mining, glass making and ship building all informing the material choices.

FaulknerBrowns Architects, who developed the design concept, likened the facade to fanning out the pages in a book with the entrance overlooking the Market Place being book-ended by two vertical spine walls. This allows the benefit of fantastic views both into and out from the building at key locations."

The main exhibition at the moment "celebrates the career and achievements of Sir Ridley Scott. Featuring a timeline of his life and movies, and focusing on six of his most famous titles including Alien, Blade Runner, Thelma and Louise, Gladiator, Robin Hood and one of his more recent movies The Martian, the main exhibition is intended as an affectionate overview of his life in film. Aimed at both visitors who are perhaps only familiar with the movie titles, to passionate fans of his work, the content uses facts, stories and vivid imagery to bring to life the world of Sir Ridley’s movies with a real ‘wow’ factor."

I am looking forward to paying a visit to what sounds like a venue that importantly values words in their various forms.

For more information visit 


Wednesday, 13 April 2016

A day of exploring Glasgow international

Saturday was the first and only day of our visit to Glasgow that we did not have a Circus Between Worlds rehearsal or commitments at Caledonian Church, and so I enjoyed taking the group on an exploration of some of the other exhibitions in the festival. My (rather packed) itinerary that included a real range of types of work was as follows:

HENRY COOMBES
SEAT IN SHADOW
Function Room, Avant Garde Bar. 




HEATHER LANDER & SIMON HARLOW
MATERIALIA
The Briggait


JOCK MOONEY
WHO ARE YOU AND WHAT DO YOU WANT?
The Briggait

MONIKA SOSNOWSKA
The Modern Institute, 3 Aird’s Lane






















JOANNE TATHAM & TOM O’SULLIVAN
A PETITION FOR AN ENQUIRY INTO A CONDITION OF ANXIETY

The Modern Institute, 14-20 Osborne Street
















SIDSEL MEINECHE HANSEN
NO RIGHT WAY 2 CUM
Transmission


MARI HOKKANEN
SET & SETTINGS
Street Level Photoworks




CATRINE VAL
POLITICAL LETTERS
Street Level Photoworks


NICOLAS PARTY
MEZZOTINT
Glasgow Print Studio







DERRICK ALEXIS COARD
Project Ability Gallery


HIROFUMI SUDA

KIND OF GREY
Glasgow Project Room







MATTHEW SMITH
Koppe Astner


EMILY MAE SMITH
HONEST ESPIONAGE
Mary Mary


PILVI TAKALA
CCA


CLAIRE BARCLAY
BRIGHT BODIES
Kelvin Hall


HELEN JOHNSON
BARRON FIELD
Kelvin Hall


MARION FERGUSON, BELINDA GILBERT SCOTT, RUTH SWITALSKI
-SCAPE
1 Royal Terrace



Wednesday, 13 November 2013

Generation Programme details released


The first programme details for a landmark series of exhibitions celebrating 25 years of contemporary art in Scotland have been revealed today.
(photo: Rob McDougall)
GENERATION will bring an ambitious and extensive programme of works of art by over 100 artists to over 60 galleries, exhibition spaces and venues the length and breadth of the nation between March – November 2014, with the majority of exhibitions taking place over the summer of 2014, as part of the Glasgow 2014 Cultural Programme.

GENERATION has been in the making since 2011. The programme will continue to grow in the coming months, and featured artists announced today include Charles Avery, Sara Barker, Karla Black, Christine Borland, Martin Boyce, Roddy Buchanan, Steven Campbell, Duncan Campbell, Katy Dove, Graham Fagen, Moyna Flannigan, Douglas Gordon, Ilana Halperin, Charlie Hammond, Iain Hetherington, Louise Hopkins, Callum Innes, Jim Lambie, Lorna Macintyre, Sophie Macpherson, Alan Michael, Rosalind Nashashibi, Toby Paterson, Ciara Phillips, Alex Pollard, Charlotte Prodger, Mary Redmond, John Shankie, David Shrigley, Ross Sinclair, Simon Starling, Clare Stephenson, Corin Sworn, Joanne Tatham and Tom O’Sullivan, Cara Tolmie, Sue Tompkins, Hayley Tompkins,  Zoë Walker & Neil Bromwich, Alison Watt, Cathy Wilkes, Richard Wright and many more.
Downloads
THE PARTNERSHIP
GENERATION is being delivered through a partnership between the National Galleries of Scotland and Glasgow Life, and is supported by Creative Scotland. These partners have engaged with a range of associate partners, venues and arts organisations across the country to ensure a truly national reach for the project. The programme aims to shine a spotlight on the past 25 years - a period which has seen Scotland develop an international reputation as a distinguished centre for contemporary art, produce a disproportionate amount of award-winning artists, host a number of ground-breaking exhibitions and foster an infrastructure which has helped allow contemporary art to flourish.
GENERATION is part of the Glasgow 2014 Cultural Programme, which is a partnership between the Glasgow 2014 Organising Committee, Glasgow Life and Creative Scotland. Generation has ambitious goals to raise the profile of contemporary art in Scotland and to increase access and participation. It is being produced with the assistance and expertise of partners including VisitScotland and EventScotland, British Council Scotland, Museums Galleries Scotland, Education Scotland, Young Scot, Children in Scotland and the BBC.
THE SCALE, AMBITION AND GEOGRAPHICAL REACH OF GENERATION
The scale, ambition and geographical reach of GENERATION make it the first project of its kind. It will be one of the most ambitious celebrations of contemporary art ever held by a single nation, and aims to reach and build new audiences for contemporary art. The venues involved in the project have programmed their own exhibitions, working with Associate Curator Katrina Brown and a specially convened Curatorial Board comprised of representatives of the partner organisations, to ensure that all the exhibitions share the aspirations of the project.
One central aim of the project is to engage with a new generation and bring to life the possibilities that contemporary visual art presents to young people between the ages of 12 and 25 with an extensive education and outreach programme specifically devised to fuel their imagination and increase their participation. The programme for children and young people is still in development and more details will be announced over the coming months.
KEY MOMENTS AND WORKS CELEBRATED
The wide-ranging programme will highlight the cultural significance of key moments and works from the past 25 years, featuring seminal pieces from landmark exhibitions and bringing significant works to new audiences in galleries and exhibition spaces across the nation.
The Scottish National Gallery of Modern Art will host a two-part exhibition across the Scottish National Gallery and the Scottish National Gallery of Modern Art One, which will bring together historically significant works from the past 25 years and show them in parallel with new work by both established and emerging artists. Steven Campbell’s landmark On Form & Fiction exhibition, a memorable part of the Third Eye Centre’s programme for Glasgow 1990 which saw the artist cover all the available wall space with a remarkable range of work, will be recreated in the Scottish National Gallery as part of GENERATION. Also being shown in Edinburgh for the first time at Scottish National Gallery will be Martin Boyce’s 2002 Tramway show Our Love is Like the Flowers, the Rain, the Sea and the Hours.
Among the four solo shows being staged at Glasgow’s Gallery of Modern Art are two celebrated works which have been shown to great acclaim in Edinburgh, but never before in Glasgow: Douglas Gordon’s Pretty Much Every Film and Video Work from about 1992 until Now (a comprehensive collection of Gordon’s work in film and video, including some of his most celebrated installations such as Play Dead; Real Time, Feature Film, 24 Hour Psycho and 30 Seconds Text) and Nathan Coley’s The Lamp of Sacrifice, 286 Places of Worship a scale model in cardboard of every ‘Place of Worship’ listed in the 2004 edition of the Edinburgh Yellow Pages telephone directory.
Collective Gallery will mark the 20 year anniversary of Ross Sinclair’s Real Life projects, whilst The Fruitmarket Gallery will trace the development of Jim Lambie’s practice, from the sculptures with which he first came to public attention in the early 1990s, to his signature floor work ZOBOP (1999), to Ultra Low through to new work, specially made for the solo exhibition.
Elsewhere in the programme, Paisley Art Gallery & Museum will revisit Informationthe significantexhibition staged in 1989 in the Museum by a group of then-emerging artists from Glasgow School of Art including Roddy Buchanan and Jackie Donachie – with a show of work by current Glasgow School of Art MLitt students, who have been invited to respond to the theme of “Information” within the particular context of Paisley Museum.

NEW WORKS AND COMMISSIONS
Although there is an emphasis on existing works, GENERATION will highlight the continued relevance of visual art at local, national and international levels through a number of new works and commissions. Artists exhibiting new works include Claire Barclay, Alex Dordoy, Ciara Philips, Karla Black, Dalziel + Scullion, Alex Frost who is creating a new work for Cove Park’s 50-acre rural site overlooking Loch Long, Mary Redmond, Lorna Macintyre, Sara Barker and Moyna Flannigan.
In line with its international reputation for commissioning, producing and presenting contemporary art, Tramway will present a programme of new works by an array of leading artists including Sophie MacPherson, Charlotte Prodger, Clare Stephenson, Cara Tolmie, Sue Tompkins, Cathy Wilkes, Alan Michael, Joanne Tatham and Tom O’Sullivan, Charlie Hammond, Iain Hetherington and Alex Pollard.

SPANNING THE LENGTH AND BREADTH OF THE COUNTRY
GENERATION will see exhibitions taking place the length and breadth of the country. Participating venues include The Pier Arts Centre in Orkney, which will present a major exhibition of work by Zoë Walker & Neil Bromwich spanning more than 15 years of their practice. Caithness Horizons in Thurso will show the work of Douglas Gordon for the first time in the north of Scotland, whilst a specially curated exhibition of work by Toby Paterson will tour to venues in Kirkcaldy, Inverness, Peebles and Dumfries. Another touring exhibition will be the Travelling Gallery, which will see the work of a group of artists at varying stages of their career and working in a range of media (including Hanna Tuulikki, Craig Coulthard and Laura Aldridge) shown throughout Scotland.
Dalziel + Scullion’s installation Tumadh : Immersionwill be staged in two parts in An Lanntair in Stornoway and Dovecot Studios in Edinburgh, whilst venues East Ayrshire, South Ayrshire and Dumfries and Galloway will present works by some of Scotland’s major contributors to the development of contemporary art in the last 25 years as part of the South By South West (SXSW) partnership.
THE INTERNATIONALISM OF GENERATION
The GENERATION programme also features an array of works produced in Scotland over the past 25 years - many of which have won prestigious international prizes, or have been shown at renowned museums and galleries or festivals across the world - but which have never been shown before in Scotland, offering audiences the opportunity to see them for the very first time.
The Scottish National Gallery of Modern Art and the Scottish National Gallery will show Simon Starling’s Burn Timeand Graham Fagen’s Peek-A-Jobby and a sculptural installation by Christine Borland, all of which have never been seen in Scotland before.
The Common Guild will host three consecutive solo exhibitions by Corin Sworn, Duncan Campbell and Hayley Tompkins, the artists presented by The Common Guild exhibition Scotland + Venice 2013, a Collateral Event of the 55th International Art Exhibition – la Biennale di Venezia, which received international acclaim.
ARTIST-LED INITIATIVES AND SUPPORTIVE INFRASTRUCTURE
GENERATION will highlight the work of artists and the distinctive infrastructure in place in Scotland that has supported the development of contemporary art over the past 25 years. Support from Creative Scotland (and formerly the Scottish Arts Council) has enabled a range of initiatives and facilities to thrive – from grass-roots and artist run initiatives such as Transmission Gallery (a model which has been adapted the world over) through to production facilities and artists’ studios to major museums and art centres. In the spirit of such artist-led initiatives, Cooper Gallery in Dundee will host Studio Jamming: Artists’ Collaborations in Scotland – the first discursive survey to foreground the grassroots character of artists’ collaboration. Dundee Contemporary Arts will present Continue Without Losing Consciousness - three solo exhibitions by Rob Churm, Raydale Dower and Tony Swain. They’ll reference the artists’ collaboration for the 2010 Glasgow International Festival - Le Drapeau Noir - which was a temporary artists café held at The Old Hairdressers, and will develop their original concept into three new projects built around a core installation and featuring events, concerts and intervention.
Patricia Fleming Projects will celebrate the DIY and lo-fi approach instrumental to the rise of artist-led activity in Glasgow with DISCORDIA, which will feature performance, live music and limited edition t-shirts by twenty contemporary artists involved with Patricia Fleming Projects from the early 90s to the present.
City Art Centre’s Urban/Suburban exhibition is based on work acquired through the National Collecting Scheme for Scotland, the Scottish Arts Council initiative founded to support the sustained development of collections of contemporary visual arts by Scotland’s museums and galleries. Featured artists include Chad McCail and Carol Rhodes.
Sir John Leighton, Director-General of the National Galleries of Scotland, said: “There is an amazing story to tell about art in Scotland over the past 25 years and we believe that we have found a very compelling way to tell it with what surely must be one of the most ambitious programmes of exhibitions ever mounted by a single country. With over 60 free shows across the entire country, this is a massive opportunity for both residents and visitors to experience world-class contemporary art from Scotland.”

Councillor Archie Graham, the Chair of Glasgow Life
, said: “This is a groundbreaking partnership between Glasgow Life and the National Galleries of Scotland, which will allow us to share our outstanding collections, resources and knowledge. GENERATION presents a unique opportunity to galvanize a new audience for the artists and artworks that have propelled both Glasgow and Scotland’s contemporary art onto a global stage.
“Now is the time to tell the story of how Glasgow and Scotland has nurtured such incredible talent and to ensure that communities from Orkney to the Borders can share in what promises to be an amazing show.”
Janet Archer, Chief Executive of Creative Scotland said: "We are delighted to be working in partnership with the National Galleries of Scotland, Glasgow Life and venues across Scotland to deliver GENERATION, which celebrates 25 years of contemporary art in Scotland. It provides a unique opportunity to reach more people in more places with the art and ideas of our time.  We are particularly excited to be engaging with children and young people. GENERATION features work made in their lifetime.  We hope experiencing these extraordinary exhibitions will inspire and fuel their imagination as they journey through their own lives."
Culture Secretary Fiona Hyslop said: ”The Glasgow 2014 Cultural Programme offers a wealth of opportunities for people right across Scotland to get involved in a number of truly inspiring cultural activities, connecting people and communities to the Games, and encouraging them to celebrate culture in new and surprising ways.
“As part of the Cultural Programme, GENERATION is an exciting opportunity to enjoy, celebrate, and learn about our nation’s rich recent history of achievement and excellence in contemporary art.
“The sheer scale and ambition of this project is testament to the large number of talented artists that Scotland has produced over the last quarter of a century.
“I’m pleased that along with once-in-a-lifetime exhibitions there is also a strong focus on engaging and inspiring our young people. I’m positive that the creative legacy of GENERATION will be felt not only across the country but down the years for a long time to come.”
For further information on GENERATION visit: nationalgalleries.org and use #GENERATION on Twitter.
ENDS

Notes to editors
1. GENERATION will feature work by artists who came to attention working in Scotland between 1989 and 2014 and include work by artists born in Scotland, as well artists of other nationalities who studied and live or lived in Scotland.
2. A specially convened Curatorial Board comprised of representatives of the partner organisations along with an Associate Curator, Katrina Brown, has formed the overall shape of the project, its specific manifestation across the partner organisations’ venues and the extension of the programme nation-wide to include many other galleries and organisations across Scotland.
GENERATION, Curatorial Board:
Simon Groom, Director, SNGMA
Sarah Munro, Head of Arts, Glasgow Life
Amanda Catto, Portfolio Manager, Creative Scotland
Katrina Brown, Associate Curator for GENERATION
Keith Hartley, Chief Curator & Deputy Director, SNGMA
Victoria Hollows, Contemporary Arts & Museums Manager, GoMA
Lucy Askew, Senior Curator, SNGMA
Working with Jenny Crowe, Project Manager for GENERATION
3.   This is the first ever such national project in Scotland.
Previous exhibitions in Scotland that have offered a view of the contemporary art of their time have included:
The Vigorous Imagination: New Scottish Art’
Scottish National Gallery of Modern Art, 1987
New Art in Scotland’
CCA, 1994
‘Here + Now: Scottish Art 1990-2001’
Dundee Contemporary Arts
McManus Galleries and Generator Projects, Dundee
Aberdeen Art Gallery and Peacock Printmakers, Aberdeen
4. Creative Scotland is the national development agency for the arts, screen and creative industries.
5. The Glasgow 2014 Cultural Programme launched in July 2013 and is a national celebration with two strands: Culture 2014 and Festival 2014.
Culture 2014 is an unprecedented national programme of extraordinary new work by world-leading and emerging Scottish and international artists. It will be intimate and epic, intense and life-affirming. Stories will be told of individual lives and communities, special places and moments in time. These come together in one programme, creating a journey throughout Scotland that frames and celebrates the Games.
Festival 2014 is a massive Games-time celebration in Glasgow running alongside the sporting action, transforming the city from 19 July to 3 August with an invigorating mix of entertainment, culture and enjoyment filling the streets, spaces and stages of Glasgow.
The Glasgow 2014 Cultural Programme is an opportunity for the whole of Scotland to get involved in the Games. From grassroots celebrations to large scale projects: the aim is for every community in Glasgow and Scotland to celebrate and benefit from this historic event.
The Glasgow 2014 Cultural Programme is a partnership between the Glasgow 2014 Organising Committee, Glasgow Life and Creative Scotland.

Monday, 26 August 2013

Mark Devereux Projects

I've been meaning to do this for a while now, but I have finally got round to joining as an Associate Member with Mark Devereux Projects.



Mark Devereux Projects is an artist production-development organisation established to help increase the national and international profile of early-career visual artists. With each practitioner’s artistic and career development paramount, emphasis is placed upon mentoring and helping the individual to place themselves within the industry through concentrated critical engagement and promotion.

As the cost of education is rising and more and more creative people are unable to commit to long-term education, artists are turning to the DIY approach. This means there are substantial numbers of creatives with the talent, ambition and drive to succeed within the market but lack support and direction to get there. Mark Devereux Projects provides a generous and thoughtful approach to working with artists.

Initially trained as an artist, Mark Devereux founded and Directed Blank Media Collective from 2006-2012. Working with early career visual artists, performers and writers, Devereux curated and produced numerous exhibitions, events and publications, showcasing the work of these practitioners. He was pivotal in the acquisition of BLANKSPACE gallery, Manchester in 2011, in which he was Director until leaving the organisation.

For further information and details about Mark Devereux Projects visit the website:

http://markdevereuxprojects.com/site/homepage

Mark visited me during my residency at Market Gallery earlier this year, and it was then that he told me about the organisation that he was (at that time) setting up.

Mark Devereux Projects was launched in July 2013 at CUBE, Manchester with an exhibition featuring the three selected artists that Mark is working with, namely Nicola Dale, David Ogle and Nicola Ellis. More information about the artists can be found on the website

http://markdevereuxprojects.com/artists


Saturday, 21 July 2012

July Newsletter

Every month or so I send an electronic newsletter to contacts on my mailing list. The newsletters give information such as current exhibitions I am exhibiting in, events I am involved in, awards I have received, and my ongoing work.

Here is my July newsletter:







If you would like to be on my mailing list, please send me an email:

helen(dot)shaddock(at)yahoo(dot)co(dot)uk

Sunday, 8 July 2012

Scotland and Venice 2013 | Creative Scotland

Scotland and Venice 2013 (02/07/2012) | Creative Scotland

The Venice Biennale is the largest and most prestigious visual arts exhibition in the world. This will be the sixth presentation from Scotland and Venice, a partnership between Creative Scotland, National Galleries of Scotland and British Council Scotland. The 2013 Biennale will be the 55th International Art Exhibition.

The Common Guild is a visual arts organisation based in Glasgow. It was established in 2006 and presents a dynamic, international programme of contemporary visual art projects, exhibitions, and events.

The Common Guild will present projects by three of Scotland’s most compelling and consistently interesting artists: Duncan Campbell, Hayley Tompkins and Corin Sworn. The exhibition will be presented in the Palazzo Pisani, Venice from June to November 2013.

Previous Scotland + Venice presentations have included Karla Black (curated by the Fruitmarket Gallery) in 2011 and Martin Boyce (curated by Dundee Contemporary Arts) in 2009.  The 2013 project will mark 10 years since Scotland’s first participation, in an exhibition that included Claire Barclay, Jim Lambie and Simon Starling.

Amanda Catto, Chair of Scotland and Venice Partnership and Portfolio Manager for Visual Arts at Creative Scotland said:

‘The Scotland and Venice partnership is delighted to announce its plans for the 2013 exhibition. 

‘Since its establishment ten years ago the Scotland and Venice project has emerged as a significant international platform, promoting artists at the highest level internationally and building Scotland's reputation as a centre of excellence in and for the visual arts.

‘The exhibition will showcase the vision, imagination and skill of the artists selected and we are looking forward to working in partnership with The Common Guild, who bring their significant knowledge and expertise to the project.’

Cabinet Secretary for Culture and External Affairs Fiona Hyslop said:

“Scotland is a creative and innovative nation, boasting a wealth of artistic talent. The Venice Biennale, as the largest arts festival in the world, is an ideal platform to showcase our talent to a global audience.

“I am sure that the Scottish presence in 2013 will build on the tremendous success of previous years, which saw exhibitions from Turner Prize-winning artist Martin Boyce and nominee Karla Black.”

Katrina Brown, Director of The Common Guild:

“It is remarkable to think of all that has happened with contemporary art in Scotland since the first participation in the Venice Biennale back in 2003. This project will continue to foreground our artists and the wealth and breadth of talent here in a hugely significant international arena. We are very much looking forward to working with Duncan, Hayley and Corin in this context.”

Scotland + Venice 2013: artists
Duncan Campbell is known for his film works that blend archive, documentary material with fictional, imaginary elements. His films, which have been described as “slippery biopics”, have focused on often visionary protagonists, such as car-maker John DeLorean (‘Make it New John’, 2009) or Irish political activist Bernadette Devlin (‘Bernadette’, 2008).

He welcomed his inclusion in the project and added: "I am extrememly pleased to be representing Scotland at Venice next year. For an artist, the biennale represents a unique opportunity: to make work that has currency as well as being part of the general hoopla. I am excited by this challenge. I am grateful to the Common Guild for the compliment they have paid me".

Corin Sworn creates atmospheric installations that weave fiction and history through film and objects. She is currently artist-in-residence at St.John’s College, Oxford, in association with the Ruskin School.
Sworn said of her participation in the project:
“The prospect of working in Venice feels both formidable and thrilling and I look forward to seeing what work I can make for this dramatic and intriguing atmosphere.”

Hayley Tompkins  makes intensely delicate paintings and painted objects that she describes as being sampled from the world as we know it. She was short-listed for the 2004 Becks Futures Prize.Tompkins said:

“I am delighted to exhibit at next year’s Venice Biennale, and to be working with The Common Guild. I look forward to imagining a new work and seeing it installed in such unique and historic surroundings, a mysterious place like Venice. It's a wonderful opportunity for any artist.”

The 2013 exhibition continues The Common Guild’s commitment to dynamic internationalism, and builds on the organisation’s reputation for presenting artists’ work in interesting and engaging ways through world-class contemporary art experiences and discussions. It will involve new works by the three artists in diverse forms and materials.

Sunday, 6 May 2012

Today I went on one of the Gi SPIN - Off tours organised by Glasgow International.

What a great idea. Led by the wonderful Lesley Hepburn, the group of approximately 30 people were driven from gallery to gallery by bus. Lesley provided en-route commentary about the festival and the galleries we were visiting, and once at each destination, the curators/artist/gallery staff introduced the exhibition to us, giving some information about the artist/the work/the gallery space/the curatorial premise.

There was a real mix of people on the tour, making for some interesting discussions. The tour was a great opportunity for artists to meet with non-artists, Gi regulars to chat to Gi newcomers, and for locals to mix with visitors to the city.

The tour was well organised, with appropriate time allocated at each exhibition, and snacks and refreshments were even provided! I would well recommend doing a Gi Spin-off tour, and hope they will be running again at Gi 2014.

Our intinery was as follows:

GI Festival ‘Spin’ Bus Tour on Saturday 5th May 13:00-17:00
13:00-13:15 Reception at Trongate 103,

13:20-13:50 Killian Ruthemann & Kate V Robertson, David Dale Gallery & Studios,

14:00-14:20 In The Shadow Of The Hand-Market Gallery,

14:30-15:00 Castling, The Wasps Factory, 77 Hanson St,

15:10-15:30 Marieta Chirulescu & David Korty, ‘Mary Mary’ at 45 Alexandra Park St,

15:35-16:05 Dazzler, The Duchy,

16:10-16:40 Dialogue Of Hands, East Gymnasium, City of Glasgow College,

16:50 Rosalind Nashashibi, GI Hub, 54 Miller Street, Glasgow, G1 1DT

Friday, 1 July 2011

London here I come

I am just about ready for my trip to London this weekend. Tomorrow I hope to visit the Haywood Gallery to see the current Tracey Emin exhibition.

On Saturday I will be heading to New Designers to look at the wonderful work of many design graduates including my sister and her friends.

I have a long list of other exhibitions I would like to see, so hopefully I will manage to visit a fair few of them on Sunday.

Must get some shut eye now before my weekend of art!