Friday, 8 March 2013

Market Gallery Residency - Day 25

Today I had a session of experimental screenprinting with Roos and Nikki.

I wanted to use stencils and play with blending colours.

 



The initial test pieces on sugar paper were successful, and I tried printing onto a scrap piece of the birch plywood, which also worked well.



I then made a stencil to use on one of the large panels of birch plywood, and we used the big screen and squeegee to create the print.









I poured a line of clear base onto the screen along with the coloured inks because we wanted there to be enough fluid to allow the squeegee to travel over the screen easily.




Unfortunately we had a few problems, and I am not happy with the print made onto the birch plywood. I think the shape looks too small and polite, and the colours have not blended well. Also, the edges of the stencil are not crisp.

But, I am delighted with the image that was printed onto the paper surrounding the triangular cut-out.



The areas on the screen where the clear base was poured has acted as a barrier to the ink, and therefore created a fascinating stop-out pattern.



I think that this paper which was around he stencil is very interesting, and I intend to use this within the exhibition.



 I am keen to have at least one of the birch plywood panels with a screenprinted stencil, and am going to print over the image already printed onto the board. The ink that I made today was fairly transparent, so I am going to make it much more opaque tomorrow so that it covers the present image.




Wednesday, 6 March 2013

Market Galler Residency - Day 24

 After my day in Newcastle yesterday, I was as keen as ever to get into the studio.

These are the breezeblock-sized panels that I previously poured.








I worked on a larger 'object painting' with reinforcement to give it strength.





It took a team of 4 people to remove this large cast from the mould and place it on the floor.





I am wanting to use the birch plywood boards as structures in the space, and tested ways in which these could stand.
I have created boundaries around the edge of the shapes, and filled one of these with a combination of three colours of plaster.
I also removed the cast from the 'v shaped' mould and am interested in the relationship that this has with one of the other casts from the cardboard mould

I have noticed that one of the breezeblock panels is beginning to bend when stood against the wall, and I find it fascinatinng how it is adapting to its conditions.








Market Gallery Residency - Day 23

Today I had an interview for a Master of Fine Art Postgraduate Degree course at Newcastle University, and was pleased to be able to talk about the work I have been making during my residency.

Whilst I was in Newcastle I visited a few exhibitions including Timecasting at the Laing Art Gallery.


"Timecasting is a new large-scale kinetic drawing installation by Newcastle based artist, Nick Kennedy.

Developed from the artist's wider interests in the notions of chance, order, control and the role of the systems in our understanding and perception of the world, Timecasting can be seen as an experiment in recording time and making it visible through a mechanised drawing process.

The installation consists of a number of autonomous drawing devices, growing week by week to mirror the passage of time. Operating continuously throughout the three month exhibition period, each of these Timecasts will trace out a delicate graphite form on the paper it rests on.


Like the slow erosion of rock in a river bed over millions of years, the process of accumulation is organic. Nearly eight million seconds will pass in this time and with each one tiny, barely perceptible marks will register. Invisible in the moment, these marks gradually build to reveal order from apparent chaotic movement."

http://www.twmuseums.org.uk/laing-art-gallery/whats-on/exhibitions/timecasting.html


As I watched the mechanical hands steadily move around the piece of paper in a circular fashion, and I listened to the gentle rhythm of the hands moving, I was reminded of the work of Steve Reich, how layers are built up, as in the piece 'music for 18 musicians', which I was lucky enough to see being performed live in Glasgow last year.

I enjoyed talking to another visitor to the exhibition who likes to visit the exhibition on a daily basis to see (and hear) how it is developing.



Tuesday, 5 March 2013

Market Gallery Residency - Day 22







presents

Studio Projects 2013:

New work by Helen Shaddock
 
(Gallery 3)

and

Solaris Simulacra
 
by Pauline McCloy and Rebecca Green
 
(Gallery 2)

Market Gallery, Glasgow

15th March - 12th April 2012

Opening Friday 15th March 2013 6pm - 9pm


Monday, 4 March 2013

Market Gallery Residency - Day 21

Removing the breezeblock sheets from their moulds was a great deal easier than usual due to the strengthening fabric that I had embedded within layers of the plaster.

When I removed the first sheet from the mould, I was disappointed with the result because the sections of colour were very distinct from each other as opposed to blending. However, once I positioned the sheets in a line, they began to excite me as they work well in a series.



I made another batch of sheets with strengthening fabric inside.









Saturday, 2 March 2013

Market Gallery Residency - Day 20

Yesterday Liz asked whether I have tried using silicone paper to line my moulds, to which the answer is no. She recommended a silicon paper from Lakeland Plastics which she uses when she is baking. It is non-stick and can be used over and over again, and put in the dishwasher! I was rather overwhelmed at the range of non-stick sheets that are being sold at Lakeland Plastics, and after asking some advice, I bought a couple of non-stick materials to test out.

I rolled a couple of small cones from the two materials, and filled them to create solid cones. The 'non-stick baking parchment' with a lining of silicone was too thin and flimsy to hold its shape when filled, but I may be able to use this to wrap around solid forms such as the inside of a pipe.

The 'magic non-stick liner' was able to keep it's shape and was thicker and easier to form a cone with. The plaster was repelled by the surface, and so it would not be able to create a hollow form, but the plaster did set after time, and so could be used to create solid forms. I will see tomorrow if the plaster peels easily off the surface, and if this is the case, I may well be going back to the shop to see if they have large rolls of the material!

I am trying to create a form that has a solid single colour on the outside, but layers of colours on the inside. I want for the viewer to be surprised when they see inside. In order to be able to see the layers, the form will need to be bored into, and so I set up an experiment today whereby I inserted a cone wrapped in 'non-stick baking parchment' into the centre of the form. I had coated the outside of the would with a single colour of plaster, and will now fill around the outside of the cone with layers of coloured plaster.



I have been trying to create more 'polo' sculptures, but am finding this difficult as the plaster is not coming out of the mould easily, and in the process of trying to get the plaster out of the mould, the cast often breaks.


                                                                                                                                                
After my recent trip to Lakeland Plastics, I wonder whether a cake tin would be a good thing to use as a mould. I could line the cake tin with the baking parchment that I bought today.     

I added some more layers to the 'v-shaped' cardboard mould.                                                                                                                                                     

                                                                                                                                               
I am thinking of using the pipes as props within the exhibition, and started to pour layers of plaster around the edge of the pipe to create dribbles or spillages down the sides of the mould.                                                                                                


I worked on the grey outside of the corner cast, but am finding that each time I rotate the mould to cover another surface, the grey begins to peel off the other sides.


My experiment yesterday with adding the strengthening fabric to the sheet of plaster was very effective at adding strength. The cast could be removed from the mould without any breaking off, and the sheet is strong enough to be propped up against the wall.


I added a layer of the strengthening fabric to the breezeblock shaped casts from yesterday.

I am excited about the potential of using the strengthening fabric to create hanging sheets and also large sheets that stand up.






Friday, 1 March 2013

Market Gallery Residency - Day 19

I began the day with a walk to Allscot, a company specialising in glass fibre products. I have done some research into strengthing plaster, and it would seem that putting a layer of glass fibre in between 2 layers of plaster would strengthen the plaster. John, the guy I spoke to at Allscot was ever so helpful and suggested that a fabric would be better than glass fibre as glass fibre needs to be used with resin.

Back in the Market Gallery I had a good review of my work, and drew an inventory of all the work that I have made during the residency to date. I now realise how much I have to play with for the exhibition. I had a bit of a clear-up and thought about specific things I want to make.






I began a new hollow cylinder form, added another grey layer to the cardboard form, and tested out a small sample of the fabric weave that I hope will strengthen the plaster.

In the evening I had a wonderful studio visit from artist Liz West and Mark Devereux, Independent Curator, Artist & Tutor based in Manchester, UK. Blank Media Collective Founder & Director 2006-2012. I will post more about their work in later blog posts, so keep your eyes peeled! Meanwhile, here are some links to have a look at:

http://www.liz-west.com

http://liz-west.blogspot.co.uk/

http://www.axisweb.org/seCVPG.aspx?ARTISTID=14896

https://twitter.com/LizWest_Art

https://twitter.com/mark_devereux

http://www.markdevereux.co.uk/