Showing posts with label The Northern Charter. Show all posts
Showing posts with label The Northern Charter. Show all posts

Sunday, 28 January 2018

The Women Artists of the North East Library invites…The Walking Library for Women Walking

The Walking Library is an ongoing art project created by Misha Myers and Dee Heddon, that seeks to bring together walking and books – walking, reading, reflecting, writing… Each Walking Library they create responds to – is specific to – the context of its walking. Each walk changes the shape – the content and the actions – of the library.

Using The Walking Library as a catalyst for The Women Artists of the North East Library, we took a selection of books on a walk around Newcastle.



We each had to choose a book from either the Walking Library or The Women Artists of the North East Library, and carry this with us as we walked round Newcastle. The books on offer in the libraries were varied, ranging from art books, fiction, poetry, books on walking, books about weather to feminist texts.



The book I chose was A field Guide to getting lost by Rebecca Solnit. I had not read it before.



We set off from The Northern Charter and were told that we would go on a stroll during which we would be looking out for women and stopping at places that people felt were appropriate to share a reading from their chosen text. As many of us had never read our chosen books, we were encouraged to flick through the books as we walked (at the same time as remaining alert to passing traffic and avoiding injury!).



Holly Argent lead the walk, having prepared a route with various points of interest in relation to women in the city. For example, we stopped at Ellison Place where Ethal Bentham once lived. Ethal was the first woman doctor and the first woman to drive a car.

I was amazed by how easy it was to find a relevant passage of text from the unfamiliar books as we walked through the city.

Our route included

- The Golden woman on the jewellers at the top of Pilgrim Street

- A stop outside Fenwick's where the upstairs cafe was said to be a personal favourite of Ethal Bentham's and the first place where women could meet together to chat and enjoy tea. We also found out that the powder rooms in the toilets are a sight to admire!

- Some benches on Northumberland Street that had seahorse decorations (one of the group was carrying a book with a seahorse on the front cover)



- A plaque commemorating the release of Kathleen Brown, one of the sufragettes



- St John's Church where Christina Umfred (Anchoress) lived

- The Beehive pub, where we were watched by a crowd of men inside

- Bigg Market

and finally The Lit and Phil Library

Over the duration of the walk we shared extracts from nearly all of the books, and it was a good way to discover things to read that you may not otherwise have discovered.

https://walkinglibraryproject.wordpress.com/

http://www.thenortherncharter.org/?2017wanelibrary

Sunday, 9 October 2016

FRIEND, YOU STAND ON SACRED GROUND... THIS IS A PRINTING OFFICE

The BLOCK party last night was an idea chance to visit the experimental digital print room currently within The Northern Charter project space & library.
"In the spirit of a famous broadside by Beatrice Warde (1900-1969), celebrating the eloquence and power of the printed word: digital collages are being developed by Giles Bailey & CIRCA Projects with collaborators visiting the print room each day.

Visitors are welcome to spend time browsing research content, videos and a specially curated reading room. Then work with Giles Bailey CIRCA Projects to re-imagine archival images, texts, and video as digital posters in Photoshop.



The posters are projected onto a sculptural stage-set made by artist Eleanor Wright: an installation changing with the course of the workshops. Following this, the poster designs will be printed and distributed around Newcastle in venues, cafes and bars – acting as footnotes for future artworks to be developed by Giles Bailey & CIRCA Projects for the North East."

On arrival, Dawn Bothwell (one of the CIRCA members), gave us an introduction to the project and invited us to participate and make a poster using imagery chosen from the archive. We then investigated the archive, selecting a few images that caught our attention. As we were scanning the images and creating our poster, Adam Phillips (another CIRCA member) talked to us more about the archive material. We had chosen an image from a pamphlet produced by Star and Shadow cinema and an image from a publication about an art festival in Newcastle that no longer happens. It was a great way to learn about two aspects of Newcastle's cultural heritage that I have not experienced.

This is what we ended up with



I look forward to seeing the range of printed artworks that result from the project.