"Locke explores the languages of colonial and post-colonial power, how different cultures fashion their identities through visual symbols of authority, and how these representations are altered by the passage of time. These explorations have led Locke to a wide range of subject matters, imagery and media, assembling sources across time and space in his deeply layered artworks.
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More recently, Locke has explored ships as images, objects and also physical sites for artistic interventions, discovering in the ship a potent symbolism as an instrument of control in warfare, trade and culture.
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He has also initiated a series of altered share certificates, now-obsolete documents referring to this same violent, turbulent history of colonial trade, ownership and power, as well as subtly referencing the contemporary art world’s participation in commodity culture.
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Across his work, Locke’s ability to fuse existing material and historic sources with his own political or cultural concerns, whether via visual juxtapositions or through the re-working of a pre-existing object or photograph, leads to witty and innovative amalgamations of history and modernity. This layering of time is accompanied by a unique merging of influences from the artist’s native Guyana and London, where Locke now lives and works, leading to richly textured, visually vibrant pieces that stand on a crossroad of histories, cultures and media."
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It was a joy to hear Locke speak so openly about life as an artist. He recognises that, at times, he has taken on a project because he needed to pay the bills, rather than it being something that interests him artistically.
When asked why he makes art, Locke replied, "because if I didn't, I would be ill."
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