LOS ANGELES, CA.-Walter Maciel Gallery presents a new series of work by New York based artist Andrea Cohen.
For her third solo show at the gallery, Cohen introduces a series of highly textured and patterned hydrocal sculptures cast from bubble wrap, Styrofoam, plastic and foil. In previous work, Cohen has used these materials as her medium to make concurrent references to nature and industry. Now, through the casting process, the legacy of these materials is imprinted on her new work. The liquidity of pigmented hydrocal allows for varying effects when it cures; for example, foil and plastic folds generate both stone-like and fleshy forms in contrast to bubble wrap which leaves behind bold yet mutable patterns suggestive of pock-marked landscapes and perforated architectures.
Cohen continues to build her sculptures as assemblages, working with play, improvisation, and a deep curiosity in the physicality of her material. She pours, tints, blends, folds, squashes, models, fragments, and assembles the components of each piece and works with a painterly palette that is both quiet and cheerful. Some of the works have a relationship to her previous sculptures made from carved Styrofoam and inspired by Chinese scholar’s rocks. Overall, it is clear that the new forms continue Cohen’s interest in Chinese landscape while at the same time are also influenced by the textures in the sculptures of Jean Dubuffet, Franz West and Paul Soldner. Cohen’s latest forms and processes, like her previous mixed media work, continue a dialogue between binaries, including control and exuberance, humor and contemplation, product and experiment.
Cohen received a BA from New York University in 1993 and her MFA from Tyler School of Art at Temple University in 1999. She currently teaches in the School of Design Strategies at Parsons New School for Design in New York City. Her large-scale sculptures were featured in the seminal exhibition, The Uncertainty of Objects and Ideas: Recent Sculpture at the Hirshhorn Museum of Art and Sculpture Garden in Washington DC in 2006-07. Cohen was featured as a Critic’s Pick in ARTnews magazine in the October 2006 issue. She has recently exhibited at Project 4 Gallery in Washington DC and the Guggenheim Gallery at Chapman University in Fullerton, CA. Cohen exhibited in group shows at Walter Maciel Gallery including Size Matters in 2012 and Political Draw in 2009 and at our auxiliary gallery in the Pacific Design Center, West Hollywood in 2010. Her work is included in many important private collections.
I am an artist making work that incorporates installation, video, sound, sculpture, performance, & writing to explore the human condition. I investigate ways to immerse the audience in multi-layered psychological & physical situations.
I trained at Leeds College of Art & Design (Foundation), Glasgow School of Art (BA (Hons) Fine Art: Sculpture & Environmental Art) and Newcastle University (Masters of Fine Art).
My lived experience of eating distress & obsessive compulsive disorder informs the work I create & the way I work. Some of the consequences of living with these conditions are that rigour, routine & attention to detail are fundamental to my way of life, all of which are integral to my creative practice; using the constraints of systems, I allow chance & playful elements to create unexpected results.
My work is regularly exhibited in solo & group exhibitions across the UK, USA, Canada & South Korea & is contained in various public collections. I have a number of public artworks, been commissioned to produce site-specific work & have taken part in national & international residencies, consistently since 2005.
2020-21
Awarded Arts Council England Developing Your Creative Practice funding for a printmaking residency with Charrington Editions
Byre-Group exhibition in which I created a site-specific installation alongside some creative writing
Everything Will Be Alright-an audio installation at Cheeseburn Sculpture, commission by curator Matthew Jarratt
Filling Time-a watercolour calendar-based work, currently exhibited at BALTIC centre for contemporary art
Lockdown Diary-a daily online process since March 2020, that has been acquired by the Wellcome Collection
Home Time-a creative tool for public, inspired by Lockdown Diary, commissioned by New Writing North
Inclusion in a new Alec Finlay publication.
I work in my studio at NewBridge Projects in Newcastle & as well as my solo work I collaborate with David Foggo as marginendeavour; I am often invited to speak to students, artists & facilitate workshops.
Website: www.helenshaddock.co.uk
Blog: https://helenshaddock.blogspot.co.uk/
Twitter: @hshaddock
Instagram: /helenshaddock
Facebook: /helen.shaddock
Vimeo: /hshaddock
YouTube: /helenshaddock
LinkedIn: /helen-shaddock
Education
Master of Fine Art, Newcastle University, 2016
BA (Hons) Fine Art: Sculpture and Environmental Art , Glasgow School of Art, 2008
Diploma in Foundation Studies (Art and Design), Leeds College of Art & Design, 2005
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