Showing posts with label TUSK Festival 2018. Show all posts
Showing posts with label TUSK Festival 2018. Show all posts

Sunday, 14 October 2018

Pinnel at TUSK

I was delighted to experience Pinnel playing at the Sage on Friday night! Newcastle-based multi-disciplinary artist Lindsay Duncanson’s work “concerns people and space and how our relationship to landscape is mediated through culture and history; how we negotiate the sublime, the unimaginable, the beauty and fear of modern life”. 

Lindsay formed the Noizechoir experimental vocal group with partner Marek Gabrysch and they have since performed across the UK and Europe, including at TUSK Festival. 

The Noize Choir is a performance ensemble that was formed in 2011 by Newcastle based artists Lindsay Duncanson and Marek Gabrysch. It involves a loose collective of noise enthusiasts with a common desire to use the human voice free of the traditional restraints of typical choral settings, language or musical notation. Their work is based on a shared fascination with science, culture and landscape. They indulge in phenomenological explorations of museum collections, or imaginings of our geological past. Replicating and experimenting with the sound of machines or the natural world, Noize Choir continually find ways to push and pull the idea of what a choir can be. Noize Choir have composed and performed in French churches and on Austrian radio, at the Baltic Centre for contemporary arts, The Literary and Philosophical Society of Newcastle Upon Tyne, and the Grade II listed Preston Bus station.

http://www.noizechoir.net/

As an artist, she’s very interested in landscape and location and the human relationship to it. 


As Pinnel, Lindsay creates what she calls “vocal soundscapes” using live looping and her own voice, building compelling rhythms and rounds through little more than breath and punctuated utterances and creating an affect that’s as much machine-like as human.

http://www.productofboy.net/pinnel.htm

Monday, 1 October 2018

Thanks to all who joined Drone Ensemble for the opening of Lyres of Lemniscate

After weeks of hard work and planning, and a very hectic final week installing the exhibition in the gallery, on Friday night Drone Ensemble presented our first exhibition, Lyres of Lemniscate, at Workplace Gallery. We would like to thank everyone who came to the exhibition, and hope you will be back for some of the other programmed activities throughout the exhibition.


The work is a slowly evolving sonic meditation of drone tonalities and hypnotic visual stimuli using hand-made instruments, objects and electronic circuits to produce an installation that plays with the interaction between electronic and acoustic sound production.

Initially the sound emanates from two 18-string lyres whose strings are activated by magnetic induction. The vibration of the strings is relayed by coil pickups into a computer and can be re-routed using a games console into vibrational speakers that play upon suspended bone china ceramic disks, bringing another acoustic sound into the space.

In conjunction with the sonic element, the gallery is presented as a space in flux; altering visually as the exhibition progresses and new elements are included. The ceramic materials are employed to alter state when exposed to sonic vibrations and differing frequencies; cracking and breaking to activate percussive sounds. Traces of the evolving nature of the work are evidenced further in film, presenting an examination of the delicate material from fluid to solid, brittle and sonorous.



We will next be performing on Friday 12th October at 4pm as the opener to TUSK Festival. 

The exhibition runs 28 September - 27 October 2018
The gallery is open Tuesday - Saturday, 11am-5pm

Friday, 28 September 2018

Drone Ensemble - Lyres of Lemniscate - WORKPLACE FOUNDATION, Gateshead - Friday 28th September 6-8pm

Drone Ensemble are delighted to invite you to the preview of

DRONE ENSEMBLE - LYRES OF LEMNISCATE

WORKPLACE FOUNDATION, Gateshead
Friday 28th September - 6-8pm



Launch event: Friday 28th September 2018, 6pm – 8pm
Performance at 6.30pm

Workplace Foundation, Gateshead
The Old Post Office, 19-21 West Street
Gateshead, NE8 1AD, UK

Exhibition continues: 29th September – 27th October
Opening hours: Tuesday – Saturday 11am – 5pm
TUSK Festival weekend (12/13/14th October) - 10am – 6pm


Drone Ensemble are delighted to invite you to Lyres of Lemniscate a new commission by Drone Ensemble at Workplace Foundation, Gateshead as part of TUSK Festival 2018. The commission has been developed following an open call to individual artists or collectives from the North East of England working across media who are specifically interested in the intersection between contemporary visual art and experimental music.

The commission was initiated by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University. Drone Ensemble were selected by an interview panel that included representatives from Workplace Foundation, Tusk Music, the Digital Cultures Research Group and artist and musician Rachel Lancaster.
For more information please visit

https://www.workplacegallery.co.uk

https://www.droneensemble.com/



Sunday, 16 September 2018

Drone Ensemble - Lyres of Lemniscate at Workplace Foundation, Gateshead

DRONE ENSEMBLE


LYRES OF LEMNISCATE

29 SEPTEMBER - 27 OCTOBER 2018

Workplace Gallery
The Old Post Office
19-21 West Street
Gateshead, NE8 1AD


We are delighted to announce an exhibition of new commissioned work by Drone Ensemble at Workplace Foundation, Gateshead as part of TUSK 
Festival 2018. The exhibition was selected through an open call to individual artists or collectives from the North East of England working across media who are specifically interested in the intersection between contemporary visual art and experimental music.


For the exhibition, Drone Ensemble will create a slowly evolving sonic meditation of drone tonalities and hypnotic visual stimuli.

Mechanical means, such as motors, have been utilised to produce an evolving drone with complex textures and harmonies. These motorised instruments have the capacity to ‘play’ themselves, with little human intervention. In conjunction with the sonic element, the gallery is a space in flux; altering visually as the exhibition progresses. Ceramic materials are employed to alter state when exposed to sonic vibrations and differing frequencies; cracking and breaking to activate percussive sounds. Traces of the evolving nature of the work are evidenced in other elements of the exhibition, referencing the relevance of process and experimentation in creating an evolving work.

Within the exhibition, the ensemble will perform alongside their installation; building upon the underlying base drone that it already manufactures.

The opportunity to work with TUSK and Workplace on this joint commission has encouraged us to shift into new territory; placing further emphasis on the aesthetic of what we produce, as well as the sonic elements. Most Drone Ensemble members have fine art backgrounds so this exhibition has given us the opportunity to apply our knowledge, skills to explore the place where the visual and sonic may intersect. Drone Ensemble 2018

This commission to create new work was initiated by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University.

Drone Ensemble were selected by an interview panel that included representatives from Workplace Foundation, Tusk Music, the Digital Cultures Research Group and artist and musician Rachel Lancaster.

Artists Biography

Drone Ensemble is an experimental sound group that uses hand-built instruments in extended improvised performances which have enthuses on drone tonalities. The instruments draw influence from musical traditions from around the world but often end up being unique in their playability, construction and sound. Drone Ensemble has a fluid membership and although there is a group of core members we bring new members in without audition and promote an attitude of open membership and a belief that exciting and cutting edge sound art is not an exclusive activity but rather is better enjoyed through a sense of community

Project partners:

TUSK Festival presents its 8th edition of the annual event this October 12-14. Since 2011, TUSK has presented artists from almost 30 countries and a wide range of stylistic approaches to adventurous music and related art forms. Our uniquely diverse approach to festival programming has created countless first-time appearances by artists in the region/UK and we have a special interest in artists working at the fringes of typical genre definitions. TUSK is also highly regarded for its film programme, exhibitions and the insights it offers into the work of often previously unknown artists. Full details of this year’s programme are available at our website.
Culture Lab and the Digital Cultures Research Group
Culture Lab is a hub for research in digital creative practice and film practice at Newcastle University. Culture Lab lets members engage in experimental and cross-disciplinary projects in creative digital arts. Members work in technologically rich and custom designed environments. The Digital Cultures Studio is a centre for creative digital practice. The research group includes artists, designers, musicians, and performers. Researchers' work in the Digital Cultures Studio is experimental and engaged with contemporary technology.

Rachel Lancaster is an artist and musician who lives and works in Newcastle upon Tyne, and is represented by Workplace Gallery. Lancaster’s practice focuses on the crossover and intersections between the languages of painting, cinema and music. She has taken part in numerous exhibitions, projects and performances. Alongside her visual art practice Lancaster is a musician and has been a member of numerous musical projects including Silver Fox, (with releases on Upset The Rhythm, London), formerly a member of Gravenhurst (Warp records) live band and A M Grave (with Stephen Bishop/Opal Tapes) alongside more recently performing solo material under her own name. She has previously worked on audio/visual collaborations with various artists including a commission with musician Wolfgang Voigt, (founder of Kompakt Records, Cologne, Germany) creating large-scale HD visuals for his live performance at Tusk Festival 2016.