"Using intuitive composition, field recording, improvisation and photography, Jez has been exploring his enjoyment of and interest in detail, simplicity and his emotive response to places and situations for over 3 decades.
Alongside performances, exhibitions, installations, he lectures and runs workshops around the world on field recording and the act and art of listening. He also curates the ‘engraved glass’ label and the ‘a quiet position’ series of online releases / forums exploring the broad ideas surrounding field recording as a primary art of sound / sound art.
In recent years he has been working extensively on recordings of surfaces and spaces (natural and man made) and developing the concept of photographic scores. Jrf is particularly associated with the development of extended recording techniques, including the recording of structural vibrations, contact microphone recording, ultrasonics, infrasonics, internal electronic signals via coil pick-up's and recordings made with hydrophones.
Amongst his key recent works are pieces capturing the sound of the dolomites dissolving, ants consuming fallen fruit, the Tate Modern building vibrating, the infrasound of domestic spaces around the world, glaciers melting in Iceland and the tonal resonances of natural and human objects in the landscape."
His visit coincided with Drone Ensemble's weekly session, and so I introduced him to Joe and the other Droners. We demonstrated our range of sound making machines, and he enjoyed having a go himself.
Jez has invited me to be included in a forthcoming edition of verdure engraved, a regular pdf arts magazine, available to view online or download for free
I will be responding to six questions that Jez has sent me, and this will form part of the interview series that runs throughout the arts magazine.
To see earlier editions please visit