To coincide with my exhibition, THEMSELVES HERE TOGETHER, I was interviewed by Emma Ormiston at The Word about the audiovisual installation.
Read the Q and A here:
http://theworduk.org/q-a-with-helen-shaddock/
Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts
Thursday, 21 June 2018
Tuesday, 28 November 2017
Lubaina Himid talking about patterns on Mary Anne Hobbs Radio 6 Music
I really enjoyed listening to Turner Prize nominee, Lubaina Himid talk about patterns in her paintings.
She was speaking to Mary Anne Hobbs as part of Mary Anne's Radio 6 Music episodes about The Turner Prize. Interviews with the other nominees are also featured.
http://www.bbc.co.uk/programmes/b09g0qf1
She was speaking to Mary Anne Hobbs as part of Mary Anne's Radio 6 Music episodes about The Turner Prize. Interviews with the other nominees are also featured.
http://www.bbc.co.uk/programmes/b09g0qf1
Wednesday, 28 September 2016
Jez Riley French visits Newcastle and comes along to Drone Ensemble
I met field recorder and photographer Jez Riley French a couple of years ago when he came to give an artist talk at Newcastle University. We have kept in touch, and earlier this week I met up with him and a group of other artists using sound at NewBridge Studios on his latest visit to Newcastle.

"Using intuitive composition, field recording, improvisation and photography, Jez has been exploring his enjoyment of and interest in detail, simplicity and his emotive response to places and situations for over 3 decades.
Alongside performances, exhibitions, installations, he lectures and runs workshops around the world on field recording and the act and art of listening. He also curates the ‘engraved glass’ label and the ‘a quiet position’ series of online releases / forums exploring the broad ideas surrounding field recording as a primary art of sound / sound art.
In recent years he has been working extensively on recordings of surfaces and spaces (natural and man made) and developing the concept of photographic scores. Jrf is particularly associated with the development of extended recording techniques, including the recording of structural vibrations, contact microphone recording, ultrasonics, infrasonics, internal electronic signals via coil pick-up's and recordings made with hydrophones.
Amongst his key recent works are pieces capturing the sound of the dolomites dissolving, ants consuming fallen fruit, the Tate Modern building vibrating, the infrasound of domestic spaces around the world, glaciers melting in Iceland and the tonal resonances of natural and human objects in the landscape."

His visit coincided with Drone Ensemble's weekly session, and so I introduced him to Joe and the other Droners. We demonstrated our range of sound making machines, and he enjoyed having a go himself.

Jez has invited me to be included in a forthcoming edition of verdure engraved, a regular pdf arts magazine, available to view online or download for free
I will be responding to six questions that Jez has sent me, and this will form part of the interview series that runs throughout the arts magazine.
To see earlier editions please visit
http://jezrileyfrench.co.uk/verdure-engraved.php

"Using intuitive composition, field recording, improvisation and photography, Jez has been exploring his enjoyment of and interest in detail, simplicity and his emotive response to places and situations for over 3 decades.
Alongside performances, exhibitions, installations, he lectures and runs workshops around the world on field recording and the act and art of listening. He also curates the ‘engraved glass’ label and the ‘a quiet position’ series of online releases / forums exploring the broad ideas surrounding field recording as a primary art of sound / sound art.
In recent years he has been working extensively on recordings of surfaces and spaces (natural and man made) and developing the concept of photographic scores. Jrf is particularly associated with the development of extended recording techniques, including the recording of structural vibrations, contact microphone recording, ultrasonics, infrasonics, internal electronic signals via coil pick-up's and recordings made with hydrophones.
Amongst his key recent works are pieces capturing the sound of the dolomites dissolving, ants consuming fallen fruit, the Tate Modern building vibrating, the infrasound of domestic spaces around the world, glaciers melting in Iceland and the tonal resonances of natural and human objects in the landscape."

His visit coincided with Drone Ensemble's weekly session, and so I introduced him to Joe and the other Droners. We demonstrated our range of sound making machines, and he enjoyed having a go himself.

Jez has invited me to be included in a forthcoming edition of verdure engraved, a regular pdf arts magazine, available to view online or download for free
I will be responding to six questions that Jez has sent me, and this will form part of the interview series that runs throughout the arts magazine.
To see earlier editions please visit
http://jezrileyfrench.co.uk/verdure-engraved.php
Thursday, 15 October 2015
Comforting words from Martin Creed
In this fascinating interview, Martin Creed talks to Kim Hill about life, music and art.
http://www.radionz.co.nz/national/programmes/saturday/audio/201773148/martin-creed-art-and-philosophy
http://www.radionz.co.nz/national/programmes/saturday/audio/201773148/martin-creed-art-and-philosophy
Friday, 6 September 2013
Interview with Fiona Millar - Exploration of Career Management Practices of Creative Individuals (CI-CMP)
This afternoon I had a very interesting telephone interview with Fiona Millar, a PhD student at the University of Stirling regarding her Exploration of Career Management
Practices of Creative Individuals (CI-CMP).
This is how Fiona explains her research:
“I am a
PhD Student at the University of Stirling, conducting research that
explores the career management practices of creative individuals from
Fine Arts and Digital Media backgrounds. The project aims
to explore how creative individuals manage their careers by identifying
the issues that affect an individuals’ ability
to manage their career and the steps an individual takes to make
themselves more employable. Through
my research I am hoping to
explore how creative individuals manage such traditionally
unconventional careers and deal with the obstacles that they face in
achieving their career goals. I
have currently enjoyed informal
chats with three
Fine Artists and Four Digital Media Workers in Scotland
hearing about their career journeys and educational
backgrounds, discussing career decisions and interplays throughout their careers.
It’s been really exciting exploring such wonderful and
varied careers and the passion from each participant about their career
has been overwhelming and truly
enjoyable! The
data collected is currently being analysed and will lead into a bigger
study that hopes to commence in late November this year (2013).
In
a first step, CI-CMP seeks to identify the influences that affect an
individual’s ability to manage their career and support their
employability. In a second step, CI-CMP will then identify the career
strategies that individuals
utilise in order to positively support the management of their own
careers. This research endeavours to generate avenues for future
research in this field and it is also hoped that valuable data and
information on the career management practises of creative
individuals will be generated which may enable change in policy or
support provisions."
You
can follow bites of Fiona's research on Twitter @Fiona_Millar or by
following the hashtag #CMgtinCI where she regularly give snippets of her
research. She would like to actively engage with persons who have views
on this subject.
Saturday, 15 October 2011
Interview on Sunny Govan radio
A couple of weeks ago I was interviewed by Tess and Anna from Sunny Govan radio for their arts and culture programme called The Happy Hour.
Listen to it on soundcloud - http://soundcloud.com/the-happy-hour/the-happy-hour-october-2011
Listen to it on soundcloud - http://soundcloud.com/the-happy-hour/the-happy-hour-october-2011
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