Showing posts with label Drone Ensemble. Show all posts
Showing posts with label Drone Ensemble. Show all posts

Tuesday, 6 November 2018

End of an era for Lyres of Lemniscate

Last night's Drone Ensemble gathering became a bit of a Lyres of Lemniscate debrief.



Unfortunately we do not have enough storage space to keep all the instruments, and so we had to dismantle the two lyres that were created specially for our Lyres of Lemniscate exhibition at Workplace Foundation. This action inevitably marked an end to the Lyres of Lemniscate 'project', which in turn lead to some discussions about future Drone Ensemble projects.



We have decided that, after the past few months of intense Drone Ensemble activity, we are going to have a bit of a break for a little while. But fear not! This is not the end of Drone Ensemble. We are going to give each other a little more time to focus on some of our individual projects. Also, rather than rushing into planning another gig with little time, we want to spend some time simply practicing and becoming more familiar with playing some of the instruments. This experimentation and rehearsal time is vital, and should lead to us developing some exciting new material for us to perform to an audience.

We have some tentative plans for performances next year, and so do keep your eyes peeled for these to be announced.

Wednesday, 31 October 2018

Lyres of Lemniscate - Drone Ensemble Workshop

On the final day of our Lyres of Lemniscate exhibition, Drone Ensemble lead a workshop in which we taught participants how to make an instrument. The workshop participants joined Drone Ensemble for the final performance of the exhibition. Workshop participants played their new instruments along with a range of the other Drone Ensemble instruments.



Joe began the workshop by demonstrating some fundamental principles of sound and explained how the different instruments work.




We then showed the group an example of the instrument that they were going to make, and took them through the different stages of creation.





Bending the metal.



We then showed the participants some of the other instruments that they could play in the performance.



After the demonstrations, participants got stuck into making their own instruments and tested out the instruments they would be playing in the performance.



Drone Ensemble would like to thank all the workshop participants for their enthusiasm, hard work and for making such a terrific contribution to the final performance. We hope that you enjoyed it!

Sunday, 28 October 2018

Introducing a new instrument to the Drone Enseble


Following a workshop that Joe participated in during TUSK Festival, he was inspired to create a new instrument. The new addition to the Drone Ensemble was given its debut yesterday when Drone Ensemble lead an instrument making workshop. 



Monday, 22 October 2018

Drone Ensemble Performance at Workplace -3:15pm, Saturday 27th October

Hear Drone Ensemble perform within their installation Lyres of Lemniscate for the last time at Workplace Foundation, Gateshead.


The performance will feature a range of new instruments made during the preceding workshop (see separate event - booking necessary)

https://www.facebook.com/events/255006225202343/

Lyres of Lemniscate was commissioned by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University.

FREE ADMISSION, ALL WELCOME

image: 
Drone Ensemble Performance for TUSK FESTIVAL 2018 at Workplace Foundation. Photo: Rob Blazey

Sign up now to participate in an instrument making workshop with Drone Ensemble at Workplace Foundation on Saturday 27th October

Sat 27 October 2018
13:00 – 16:00

LOCATION:
Workplace Foundation
The Old Post Office
19-21 West Street
Gateshead
NE8 1AD

Join the Drone Ensemble in an instrument making workshop at Workplace Foundation.


Participants will have access to materials and tools and the expertise of Drone Ensemble members and will make new instruments that make use of both acoustic and amplified sounds.
Participants will then perform alongside Drone Ensemble in a public performance to close their installation Lyres of Lemniscate.
The workshop is suitable for participants 14 years and above and is limited to 12 spaces.
Lyres of Lemniscate was commissioned by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University.
Please reserve your ticket via the EventBrite link below

Tuesday, 16 October 2018

Drone Ensemble mention in the Guardian review!

Tusk festival review – multisensory showcase of sonic adventures
Dave Simpson

https://www.theguardian.com/music/2018/oct/15/tusk-festival-review-sage-gateshead-terry-riley









In darkness illuminated by spooky projections, Cee Haines AKA Chaines fuses guitar, clarinet, keyboard, looped banks of her own singing and at one point screaming to produce a mesmeric collage of ecclesiastical beauty and creeping dread. When a young woman in the crowd performs bizarre, interpretative dance movements in slow motion, it’s difficult to work out whether she is part of the audience or the performance. Now in its third year at the Sage, after intimate beginnings in 2011 at the Star and Shadow cinema, Tusk is a three-day festival of the experimental, weird and wonderful that features artists who rarely play in the UK. Ramones, Blondie and the Fall producer Craig Leon spotlights his lesser-known yet enduring guise of electronic composer. With longtime synth partner Cassell Webb and a string quartet, a superb performance draws from 1981’s pioneering proto-techno work Nommos and his forthcoming Anthology of Interplanetary Folk Music vol 2: The Canon, blurring the divide between contemporary classical, synth punk and banging techno.

There is much to see and hear, from the visually stunning and hypnotic mechanical humming lyres of Newcastle’s Drone Ensemble (in the nearby Workplace gallery) to the furiously intense free jazz of Irreversible Entanglements and local artist Joseph Hillier’s thrillingly disorienting Blind Blind Blind Blind installation: sculptures bonded to four simultaneously playing vinyl copies of Talking Heads’ Blind interfere with each turntable’s stylus to create a constantly changing cacophony. The festival’s uncompromising spirit is such that comically chaotic Blackpool avant punks Ceramic Hobs – bearded men in dresses, a topless, beer-bellied singer and songs about mental health and curry sauce – are among the more conventional offerings.
“If it’s too much, earplugs are available,” says the woman welcoming anyone tiptoeing towards Otomo Yoshihide’s experiments in extreme noise, using an electric guitar and record decks. The Japanese avant garde master submits the latter to such sonic and physical assaults – pounding them with his fists – you suspect he will eventually be arrested for crimes against musical equipment. New Yorker Lea Bertucci’s experimental music is easier on the ear, but no less adventurous. She uses visuals, but her vast, spacious fusion of clarinet, sax, glitch and echo and is best experienced with eyes closed, when her pensive, beautiful noise hits like a multisensory massage.


Bertucci also helms Double Bass Crossfade, in which two upright bass players playing with bows fill the vast Sage concourse with improvised sub bass. Also from NYC, guitar/percussion duo 75 Dollar Bill channel Sun Ra, Middle Eastern and African music into mesmerically repetitive, urban desert rock. Sarah Davachi’s stellar Sunday set combines electronic hums and string players, who hold each solitary note for minutes at a time, building to a gradually evolving symphony of stillness.
Bradford’s Hameed Brothers Qawwal and Party pull one of the biggest crowds to the largest hall for a euphorically received set of Punjabi singing, dizzying tabla and percussion. A similar throng assembles for legendary minimalist composer Terry Riley, with his son Gyan. Playing piano and electric guitar, the father and son have an almost telepathic connection as they lock into the 83-year-old’s subtly jazz-influenced repetitive grooves before the younger man hurtles off into another dimension. Blasting from a symphony of Clangers-like noises to a sublime piece for melodica and guitar epitomises Tusk’s celebration of sound and possibilities.

Saturday, 13 October 2018

Thanks to all who came to the Drone Ensemble performance

Thanks to all who came experience Drone Ensemble launch TUSK 2018 with their Lyres of Lemniscate performance at Workplace Foundation last night. It was great to see so many people crammed into the gallery, seemingly 'enjoying' being in the 'Drone zone'!

The exhibition continues until 27th October, and there are instruments that we did not play yesterday that come alive in the exhibition, so go back to have another Drone Ensemble experience.









Thursday, 11 October 2018

Drone Ensemble Performance & Artist Talk at TUSK Festival - Lyres of Lemniscate - WORKPLACE Gallery

Drone Ensemble Events during TUSK 2018

 

Drone Ensemble are delighted to be kicking off TUSK 2018 with a live performance at WORKPLACE Gallery as part of their current Lyres of Lemniscate exhibition. 

FRIDAY 12TH OCTOBER
4pm - Workplace Gallery – TUSK Festival + Fringe opening performance by DRONE ENSEMBLE

SATURDAY 13TH OCTOBER
10.30am - Workplace Gallery: DRONE ENSEMBLE in conversation with John Bowers about their TUSK Festival Lyres of Lemniscate exhibition

Exhibition open: 29th September – 27 th October
Opening hours: Tuesday – Saturday 11am – 5pm
TUSK Festival weekend (12/13/14 th October) – 10am – 6pm
 
Workplace Gallery
The Old Post Office
19-21 West Street
Gateshead
NE8 1AD

Monday, 1 October 2018

Thanks to all who joined Drone Ensemble for the opening of Lyres of Lemniscate

After weeks of hard work and planning, and a very hectic final week installing the exhibition in the gallery, on Friday night Drone Ensemble presented our first exhibition, Lyres of Lemniscate, at Workplace Gallery. We would like to thank everyone who came to the exhibition, and hope you will be back for some of the other programmed activities throughout the exhibition.


The work is a slowly evolving sonic meditation of drone tonalities and hypnotic visual stimuli using hand-made instruments, objects and electronic circuits to produce an installation that plays with the interaction between electronic and acoustic sound production.

Initially the sound emanates from two 18-string lyres whose strings are activated by magnetic induction. The vibration of the strings is relayed by coil pickups into a computer and can be re-routed using a games console into vibrational speakers that play upon suspended bone china ceramic disks, bringing another acoustic sound into the space.

In conjunction with the sonic element, the gallery is presented as a space in flux; altering visually as the exhibition progresses and new elements are included. The ceramic materials are employed to alter state when exposed to sonic vibrations and differing frequencies; cracking and breaking to activate percussive sounds. Traces of the evolving nature of the work are evidenced further in film, presenting an examination of the delicate material from fluid to solid, brittle and sonorous.



We will next be performing on Friday 12th October at 4pm as the opener to TUSK Festival. 

The exhibition runs 28 September - 27 October 2018
The gallery is open Tuesday - Saturday, 11am-5pm

Friday, 28 September 2018

Drone Ensemble - Lyres of Lemniscate - WORKPLACE FOUNDATION, Gateshead - Friday 28th September 6-8pm

Drone Ensemble are delighted to invite you to the preview of

DRONE ENSEMBLE - LYRES OF LEMNISCATE

WORKPLACE FOUNDATION, Gateshead
Friday 28th September - 6-8pm



Launch event: Friday 28th September 2018, 6pm – 8pm
Performance at 6.30pm

Workplace Foundation, Gateshead
The Old Post Office, 19-21 West Street
Gateshead, NE8 1AD, UK

Exhibition continues: 29th September – 27th October
Opening hours: Tuesday – Saturday 11am – 5pm
TUSK Festival weekend (12/13/14th October) - 10am – 6pm


Drone Ensemble are delighted to invite you to Lyres of Lemniscate a new commission by Drone Ensemble at Workplace Foundation, Gateshead as part of TUSK Festival 2018. The commission has been developed following an open call to individual artists or collectives from the North East of England working across media who are specifically interested in the intersection between contemporary visual art and experimental music.

The commission was initiated by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University. Drone Ensemble were selected by an interview panel that included representatives from Workplace Foundation, Tusk Music, the Digital Cultures Research Group and artist and musician Rachel Lancaster.
For more information please visit

https://www.workplacegallery.co.uk

https://www.droneensemble.com/



Tuesday, 25 September 2018

Making ceramic discs for Lyres of Lemnicate

On Friday Bex and I made real progress making the ceramic discs. We loaded 6 shelves worth of discs into the kiln and left them to fire over the weekend. The discs are extremely fragile, and even transferring them from the work surface to the kiln shelf can break them. Inevitably, we lost a few during this process.




In the evening I got mastered the art of untangling guitar strings. I then looped them at the end and attached them to the lyres.


We then spent a long time attempting to get the e-bows in the correct position so that they would create the vibrations necessary for the Humbukkers to pick up the sound. Unfortunately by 10pm we had not succeeded, and we decided to call it a day, hoping that we would be fresher in the morning after some sleep.

Tuesday, 18 September 2018

Working on the Lyres with Drone Ensemble

Last night Drone Ensemble had a studio visit from Paul from Workplace Gallery and Lee from TUSK. We showed them the lyres and talked through where we are at in terms of making the ceramic discs, the film and our plans for the curation of the exhibition.


Afterwards, we worked on getting the e-bow mechanism positioned correctly so that when it is in contact with the string, it is activated and makes a sound. 



Jamie showed us the system he is building that will enable manipulation of the signals going to each speaker. This introduces an aspect of interaction, and the audience will be able to use a joystick to control the vibrations of the different speakers.



We tested different ways in which the ceramic discs could be installed so that they vibrate over the speakers enough so as to make a sound and have the potential to fall off, but not too much so as to immediately fall off and smash. This is something that requires further thought and experimentation!

Sunday, 16 September 2018

Drone Ensemble - Lyres of Lemniscate at Workplace Foundation, Gateshead

DRONE ENSEMBLE


LYRES OF LEMNISCATE

29 SEPTEMBER - 27 OCTOBER 2018

Workplace Gallery
The Old Post Office
19-21 West Street
Gateshead, NE8 1AD


We are delighted to announce an exhibition of new commissioned work by Drone Ensemble at Workplace Foundation, Gateshead as part of TUSK 
Festival 2018. The exhibition was selected through an open call to individual artists or collectives from the North East of England working across media who are specifically interested in the intersection between contemporary visual art and experimental music.


For the exhibition, Drone Ensemble will create a slowly evolving sonic meditation of drone tonalities and hypnotic visual stimuli.

Mechanical means, such as motors, have been utilised to produce an evolving drone with complex textures and harmonies. These motorised instruments have the capacity to ‘play’ themselves, with little human intervention. In conjunction with the sonic element, the gallery is a space in flux; altering visually as the exhibition progresses. Ceramic materials are employed to alter state when exposed to sonic vibrations and differing frequencies; cracking and breaking to activate percussive sounds. Traces of the evolving nature of the work are evidenced in other elements of the exhibition, referencing the relevance of process and experimentation in creating an evolving work.

Within the exhibition, the ensemble will perform alongside their installation; building upon the underlying base drone that it already manufactures.

The opportunity to work with TUSK and Workplace on this joint commission has encouraged us to shift into new territory; placing further emphasis on the aesthetic of what we produce, as well as the sonic elements. Most Drone Ensemble members have fine art backgrounds so this exhibition has given us the opportunity to apply our knowledge, skills to explore the place where the visual and sonic may intersect. Drone Ensemble 2018

This commission to create new work was initiated by Workplace Foundation and Tusk Festival supported by the Digital Cultures Research Group in CultureLab at Newcastle University.

Drone Ensemble were selected by an interview panel that included representatives from Workplace Foundation, Tusk Music, the Digital Cultures Research Group and artist and musician Rachel Lancaster.

Artists Biography

Drone Ensemble is an experimental sound group that uses hand-built instruments in extended improvised performances which have enthuses on drone tonalities. The instruments draw influence from musical traditions from around the world but often end up being unique in their playability, construction and sound. Drone Ensemble has a fluid membership and although there is a group of core members we bring new members in without audition and promote an attitude of open membership and a belief that exciting and cutting edge sound art is not an exclusive activity but rather is better enjoyed through a sense of community

Project partners:

TUSK Festival presents its 8th edition of the annual event this October 12-14. Since 2011, TUSK has presented artists from almost 30 countries and a wide range of stylistic approaches to adventurous music and related art forms. Our uniquely diverse approach to festival programming has created countless first-time appearances by artists in the region/UK and we have a special interest in artists working at the fringes of typical genre definitions. TUSK is also highly regarded for its film programme, exhibitions and the insights it offers into the work of often previously unknown artists. Full details of this year’s programme are available at our website.
Culture Lab and the Digital Cultures Research Group
Culture Lab is a hub for research in digital creative practice and film practice at Newcastle University. Culture Lab lets members engage in experimental and cross-disciplinary projects in creative digital arts. Members work in technologically rich and custom designed environments. The Digital Cultures Studio is a centre for creative digital practice. The research group includes artists, designers, musicians, and performers. Researchers' work in the Digital Cultures Studio is experimental and engaged with contemporary technology.

Rachel Lancaster is an artist and musician who lives and works in Newcastle upon Tyne, and is represented by Workplace Gallery. Lancaster’s practice focuses on the crossover and intersections between the languages of painting, cinema and music. She has taken part in numerous exhibitions, projects and performances. Alongside her visual art practice Lancaster is a musician and has been a member of numerous musical projects including Silver Fox, (with releases on Upset The Rhythm, London), formerly a member of Gravenhurst (Warp records) live band and A M Grave (with Stephen Bishop/Opal Tapes) alongside more recently performing solo material under her own name. She has previously worked on audio/visual collaborations with various artists including a commission with musician Wolfgang Voigt, (founder of Kompakt Records, Cologne, Germany) creating large-scale HD visuals for his live performance at Tusk Festival 2016.

Sunday, 19 August 2018

Drone Ensemble with special guests at The Boiler House, Newcastle University, Saturday 18 August

Drone Ensemble with special guests
Rob Blazey  II   Tim Shaw & John Bowers  II  Me Lost Me  II  Charlie Dearnley  II  Ben Jeans-Houghton 

The Boiler House, Newcastle University
​Saturday 18th August 2018


Drone Ensemble would like to thank all the amazing invited performers and the wonderful audience who joined us for our performance in The Boiler House at Newcastle University last night.



We really enjoyed the evening, and hope that you did too. 


Playing with the invited guests was a honour and they added to the Drone Ensemble soundscape.