When I was editing the footage for THEMSELVES HERE TOGETHER, I made a mock up of the 5 screens (one of the walls is so wide that it has 2 projections) to visualise how the footage would work together as a whole. I wanted to create links between the visuals and manipulate the way the audience interacts with the space. Here are some of the images of the mock up that I created to help me visualise the installation.
Showing posts with label projection. Show all posts
Showing posts with label projection. Show all posts
Sunday, 13 May 2018
Mock up of audio-visual installation
When I was editing the footage for THEMSELVES HERE TOGETHER, I made a mock up of the 5 screens (one of the walls is so wide that it has 2 projections) to visualise how the footage would work together as a whole. I wanted to create links between the visuals and manipulate the way the audience interacts with the space. Over the next few posts I will be showing some of the images of the mock up that I created to help me visualise the installation.
Mock up of audio-visual installation
When I was editing the footage for THEMSELVES HERE TOGETHER, I made a mock up of the 5 screens (one of the walls is so wide that it has 2 projections) to visualise how the footage would work together as a whole. I wanted to create links between the visuals and manipulate the way the audience interacts with the space. Over the next few posts I will be showing some of the images of the mock up that I created to help me visualise the installation.
Sunday, 6 May 2018
Installing audio-visual installation at The Word - day 1
On Tuesday between 2:30pm and 4pm Sarah and I had access to the StoryWorld space at The Word in which my forthcoming exhibition will be held. Demand for the room is high, with lots of events and activities happening in there and so it is difficult to get access. Hence why every minute was precious during our 1.5 hour time slot.
I had prepared all the video files so that each one was 'mapped' to the specific wall that it would be projected onto. The walls have some curvature, and so I had to apply a different template to each of the videos that corresponded with the curvature of each wall so that the projection would not spill onto the floor or ceiling. The audio has been synched to correspond with the videos, and the videos have been edited so that not all the walls have projections on at the same time, but footage appears intermittently on all of the walls, adding a surprise element and creating an immersive environment.
Playing the footage for the first time alerted us to the very high bass levels of the speakers. Unfortunately the speakers are concealed within a wall and so we were told that it was not possible to access them to turn down the bass. This resulted in some of the higher, and more subtle sounds becoming lost. The audio would need to be edited again to allow for the high bass speakers. Later that night Sarah and I created some alternative versions of the footage to be tested when next in the space.
I was disappointed with how the projections did not appear very strong and the colours were not as vibrant as I had intended. I realised that the window blinds had large gaps around the rim of the windows and so light was still entering the room. Simply taping over these gaps should help reduce the light entering the space.

I was also conscious that the videos were not properly aligned with the walls, and they were not all at the same level. In order to rectify this, we needed to manually change the position of the projectors. With lots of fine tweaking, we managed to get all of the videos to align.
I had prepared all the video files so that each one was 'mapped' to the specific wall that it would be projected onto. The walls have some curvature, and so I had to apply a different template to each of the videos that corresponded with the curvature of each wall so that the projection would not spill onto the floor or ceiling. The audio has been synched to correspond with the videos, and the videos have been edited so that not all the walls have projections on at the same time, but footage appears intermittently on all of the walls, adding a surprise element and creating an immersive environment.
Playing the footage for the first time alerted us to the very high bass levels of the speakers. Unfortunately the speakers are concealed within a wall and so we were told that it was not possible to access them to turn down the bass. This resulted in some of the higher, and more subtle sounds becoming lost. The audio would need to be edited again to allow for the high bass speakers. Later that night Sarah and I created some alternative versions of the footage to be tested when next in the space.
I was disappointed with how the projections did not appear very strong and the colours were not as vibrant as I had intended. I realised that the window blinds had large gaps around the rim of the windows and so light was still entering the room. Simply taping over these gaps should help reduce the light entering the space.

I was also conscious that the videos were not properly aligned with the walls, and they were not all at the same level. In order to rectify this, we needed to manually change the position of the projectors. With lots of fine tweaking, we managed to get all of the videos to align.
Sunday, 15 April 2018
Saturday, 14 April 2018
Themselves Here Together at The Word
Preview: Thursday 10 May, 4-7pm
Performance at 6pm
Performance at 6pm
Join artist Helen Shaddock as she incorporates video, sound and performance in her latest exhibition, Themselves Here Together – part of Voices: Within and Without.
Helen uses her personal experience of mental illness to inform her work and seeks to immerse the audience in multi-layered psychological and physical situations.
Themselves Here Together will be on exhibit in StoryWorld from Sunday 13 May to Thursday 21 June.
Please note: the exhibition will be on display at the following times:
- Monday – Thursday: 4–6.30pm
- Sundays: 1–4pm
ABOUT HELEN SHADDOCK
Helen Shaddock’s audio visual installation is the culmination of a project funded by the Arts Council England Grants for the Arts in which she is has worked with other voice hearers, artists, researchers, academics and Mental Health organisations to investigate visual and auditory hallucinations.
Friday, 6 April 2018
Projecting cameraless film animations
After splicing my different film strips to form loops, I then used the 16mm projector to view them. Here are a few stills from one of my film loops.
Tuesday, 3 April 2018
Projecting cameraless animations
After splicing my different film strips to form loops, I then used the 16mm projector to view them. Here are a few stills from one of my film loops (black film and coloured cross hatching).
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