Steve Reich's Music For 18 Musicians

The current series of Radio 3's The Essay features authors talking about a piece of music that has been significant to them and their creative development. They explore how pieces inspire creativity through mood, narrative or structure, inviting us to step into the music – and the author’s – inner world. In this episode, New York based author and journalist Hermione Hoby discusses Steve Reich’s Music For 18 Musicians, a piece of music that she has listened to almost every day for the last seven years. In this short radio essay she reveals how this classic piece of minimalism helps her write.

https://www.bbc.co.uk/programmes/m0001hp4

This is one of my favourite pieces of music, and I was fortunate enough to be able to see it performed at Glasgow City Hall. I was utterly mesmerized and in awe of the performers who maintained full concentration throughout the performance. To listen to Music For 18 Musicians is to have an experience, you do not just hear it, you feel it, it has a physical impact.

Hoby describes the work as "music that sounds like what it feels like to write well." She continues, " The opening xylophone notes- are optimistic, clear, urgent, devoid of panic, full of confidence and clarity, - How i want to feel when writing. The pulses are hypnotic and the piece sounds like an experiment that is alive, exploratory, a living construction, built on repetitions, striking enough to drive you ahead, but also distant enough to be able to fade into the background when your own creative juices begin to flow." 

Like Hoby, I find it fairly easy to work at the same time as listening to the music. One of the factors that makes it easy for me to do this is that it features no words. It also helps that there is no solo piece, no musician that dominates and therefore it all seems to work together. 

Tones, Drones and Arpeggios : The Magic of Minimalism - Episode 2 - New York

In this episode Charles Hazlewood meets Philip Glass and Steve Reich.

"Across the 1960s these New Yorkers added new orchestral dimensions to compositions based on repetition, transcendence and new technology, and broke into the mainstream in the following decade. Charles explores how breakthrough techniques Reich first explored on tape were transposed for orchestral performance. Glass's experiments with repetitive structures, along with his innovative work in opera - Einstein on the Beach - revealed new possibilities for classical music.

The episode includes excerpts from minimalist pieces, including Reich's Variations for Winds, Strings and Keyboards performed by the Army of Generals orchestra. Charles Hazlewood's All Stars Collective performs part of Mike Oldfield's minimalist-inspired Tubular Bells.



The key attributes of minimalism, its reliance on repetition, its mesmerizing transcendent qualities and innovative use of technology are also discussed with broadcaster and writer Tom Service; director of music at the Southbank Centre, Gillian Moore; composers Laurie Spiegel, Nico Muhly, Julia Wolfe, Max Richter and Bryce Dessner; and musicians Jarvis Cocker and Adrian Utley."


Although I thoroughly appreciate and enjoy the music of Steve Reich and Philip Glass, as well as La Monte Young and Terry Riley, whom were featured in episode 1, I am disappointed at the lack of recognition for female musicians who made a vital contribution to the minimalist genre. 

Thanks to my incredibly knowledgeable and talented friend Jez, for alerting me to a series of posts highlighting some of the names & influences that have been overlooked in this series:

http://treasure-hiding.blogspot.co.uk/2018/03/here-in-uk-bbc-is-screening-series-on.html

http://treasure-hiding.blogspot.co.uk/2018/03/ahead-of-episode-2-of-tones-drones-and.html

http://treasure-hiding.blogspot.co.uk/2018/03/following-on-from-two-recent-posts.html

Tones, Drones and Arpeggios : The Magic of Minimalism - Episode 1 - California

"In this episode Charles Hazlewood tracks down the pioneers of minimalism, which began on America's west coast in the 1950s. Describing them as 'prophets without honour', Charles explores La Monte Young's groundbreaking experiments with musical form that included notes held for exceptionally long periods of time, and drones inspired by Eastern classical music and Hindustani singer Pandit Pran Nath.

La Monte Young

He drives out into the Californian countryside to the ranch of Terry Riley and discusses the musician's revolutionary experiments with tape recording looping and phasing, along with early synthesizer sound. The episode includes excerpts from key early minimalist pieces, including Riley's now famous In C, performed by Charles Hazlewood's All Stars Collective and detailed workshopping by Hazlewood where pieces are deconstructed musically.

Terry Riley

The key attributes of minimalism, its reliance on repetition, its mesmerizing transcendent qualities and innovative use of technology are also discussed with broadcaster and writer Tom Service; Gillian Moore, Director of Music at the Southbank Centre; composers Morton Subotnick, Max Richter and Bryce Dessner, and musicians Jarvis Cocker and Adrian Utley."

https://www.bbc.co.uk/iplayer/episode/b09tbh10/tones-drones-and-arpeggios-the-magic-of-minimalism-series-1-1-california

Agnes Martin: With my back to the world

'With my back to the world' is a documentary about the painter, Agnes Martin. Shot over a four-year period, it ends in 2002 when Martin entered her 90th year. Footage of Martin working in her studio in Taos, New Mexico is mixed with interviews with the artist in which she covers topics such as Minimalism, inspiration and isolation, as well as discussing her working methods.

Towards the end of the documentary Martin describes beauty as "an illustration of happiness". 

This statement made me reflect on my work, and reminded me of a discussion at 1 Royal Terrace that centred around the difference between prettiness and beauty in relation to my Brimming exhibition. I believe that beauty comes from within whereas prettiness is something applied to the outside.