How opening our ears can open our minds: Hildegard Westerkamp

"Soundscape composer Hildegard Westerkamp hears the world differently than most people. Where many of us might hear noise, she uncovers extraordinary beauty and meaning. It's all in how we listen to our environment. 

In this interview, Paul Kennedy joined Hildegard Westerkamp on a sound-walk through Vancouver's downtown eastside, and explored how opening our ears to our surroundings can open our minds.



Westerkamp uses environmental sounds her instruments. She refrains from using any effects, and feels it is important to do her own field recording as opposed to using pre-recorded sounds and it encourages her to listen actively. When in the studio, re-listening to her field recordings, Westerkamp often picks up on other sounds that she had not previously heard because she does not have as many other sounds competing for her attention.

"To be in the present as a listener is a revolutionary act. We absolutely need it, to be grounded in that way."

She comments that people no longer practice listening to the environment, are afraid of silence and so turn to music to fill the perceived void.

"People are afraid of silence, because it's perceived as a vacuum. It's not perceived as a source of inspiration…. The tools to search out the environmental sounds that heal us have been lessened as a result."

"Listening will help us reconnect to the environment. If we can understand what listening can do to reconnect us to our environment, we can understand what's happening to our environment... we would be enriched, hugely."

To listen to the interview and sound walk visit:

http://www.cbc.ca/radio/ideas/how-opening-our-ears-can-open-our-minds-hildegard-westerkamp-1.3962163

To find out more about Hildegard Westerkamp, visit:
https://www.sfu.ca/~westerka/

Jason Middlebrook

"Jason Middlebrook works in a variety of media and uses many different methods, bringing together divergent processes and materials in order to explore broader social issues, particularly our relationship with the environment. His practice is often site-specific practice, working with the community to find and salvage materials unique to the local landscape. The creative reuse of found objects appears in much of Middlebrook’s artwork wherein these objects are used directly in works or provide the inspiration for forms and images. Middlebrook was trained as a sculptor and painter, and he embraces both two- and three-dimensional modes of working, often in a single artwork. In his series of planks—raw milled boards of various types of wood—the flat surfaces are decorated, joining sculptural form with decorative painting."

http://www.mcachicago.org/archive/calder/#/artist/contemporary/middlebrook
"By re-configuring patterns found in nature, such as the shape and color of a wild mushroom, or the cross section of a tree trunk, Hudson, NY-based, Northern California-bred artist Jason Middlebrook creates ornate abstract works that vibrate with a rhythmic sensibility. Influenced by iconic artists such as Robert Smithson, Sol Lewitt, and John McCracken, Middlebrook’s relationship to the land stems from an admittedly Californian sensibility. 

Applying the paint in parallel lines or chevrons, Middlebrook allows for the grain to his marks. Whether fluid or geometric, the resultant forms reverberate. His choice of color varies, occasionally echoing the synthetic colors used to tag trees for logging and at other times stark and austere. These natural abstractions consider the environment while acknowledging our inherent need to destroy it."

http://moniquemeloche.com/exhibitions/new-works-made-on-in-and-around-wood/

http://jasonmiddlebrook.com